108 — Film Photography Rocks — Interview w/John Meadows

Pho­tog­ra­phy pod­cast #108 fea­tures an Inter­view with fine art pho­tog­ra­pher John Mead­ows where we talk about the advan­tages of shoot­ing on film. Although it’s true that film pho­tog­ra­phy is slowly being replaced by dig­i­tal, it con­tin­ues to remain VERY pop­u­lar with fine art pho­tog­ra­phers for a bunch of rea­sons. One of these rea­sons is the incred­i­ble qual­ity of the cam­eras and lenses avail­able to film pho­tog­ra­phers that can be pur­chased these days for peanuts.

In this pod­cast we talk about the advan­tages of shoot­ing on film, film char­ac­ter­is­tics, buy­ing film, devel­op­ing your own film, print­ing your own images in a dark­room, the hybrid approach of using both film and dig­i­tal and more.

Dur­ing this phone inter­view recorded by Skype, the qual­ity of my voice is mediocre and I apol­o­gize in advance for this —  Luck­ily John Meadows’s voice sounds great.

Bro­ken and Unbro­ken © John Meadows

 

Links /resources men­tioned in this podcast:

Royce Howland’s fol­low up com­ment on the photo-realistic HDR pod­cast
John Mead­ows web­site
John Mead­ows on Flickr
apug.org — Ana­log Pho­tog­ra­phy Users Group
Freestyle film pho­tog­ra­phy sup­plies
Pocket light meter
Mar­shal Oils at B&H
Film at B&H
Photo tours in Mon­treal — Pri­vate pho­tog­ra­phy instruc­tion in Montreal

If you liked this pod­cast and want to review it on Itunes, this link gets you to the main page

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Thanks to John Starmer, Lucille B, chris f, Rob S, Royce How­land, Mike Lang­ford and Del­ben­son­pho­tog­ra­phy who posted  blog com­ments about our last pod­cast. Thanks as always to every­one that sent com­ments by email about our last pod­cast. Although ALL com­ments are appre­ci­ated, com­ment­ing directly in this blog is pre­ferred. Thanks as well to all the new mem­bers of the bul­letin board. Most of the links to actual the prod­ucts are affil­i­ate links that help sup­port this site. Thanks in advance if you pur­chase through those links.

If you are look­ing at this mate­r­ial on any other site except Photography.ca — Please hop on over to the Photography.ca blog and pod­cast and get this and other pho­tog­ra­phy info directly from the source. |Sub­scribe with iTunes|Sub­scribe via RSS feed |Sub­scribe with Google Reader|Sub­scribe for free to the Pho­tog­ra­phy pod­cast — Photography.ca and get all the posts/podcasts by Email
You can down­load this pho­tog­ra­phy pod­cast directly by click­ing the pre­ced­ing link or lis­ten to it almost imme­di­ately with the embed­ded player below.

Thanks for lis­ten­ing and keep on shooting!

107 — Photo Realistic HDR — Interview w/Royce Howland

Pho­tog­ra­phy pod­cast #107  fea­tures an Inter­view with Cana­dian Nature pho­tog­ra­pher Royce How­land. In this pod­cast we talk specif­i­cally about how to get real­is­tic colours using the HDR process. HDR (high dynamic range) is a process that allows us to cap­ture details in the high­lighs and the shad­ows of our images by shoot­ing mul­ti­ple frames of the same image at dif­fer­ent expo­sures and then blend­ing them in software.

Many HDR images that we see on the web have really wonky and unre­al­is­tic colours. We pass no judge­ment on these types of images but this pod­cast is ded­i­cated to get­ting real­is­tic colours using the HDR process. We sum­ma­rize the process from why we do this, to cap­ture, to gear,  to using the soft­ware to cre­ate the images. We also dis­cuss the dif­fer­ences between the HDR process and using grad­u­ated neu­tral den­sity filters.

Old Prairie Church & Storm Front, Mundare Alberta Canada © Royce Howland

 

That Hal­loween Mood, Glen­more Reser­voir Cal­gary Alberta Canada © Royce Howland

 

Links /resources men­tioned in this podcast:

Royce How­land web­site
Royce Howland’s fea­ture on Photography.ca
Older HDR arti­cle by Royce How­land
HDR­Soft — Mak­ers of Pho­tomatix
Olo­neo — Mak­ers of Pho­to­Engine
Red Giant — Mak­ers of Magic Bul­let Pho­toLooks
HDR Labs — HDR infor­ma­tion resource
Topaz Adjust
HDR Efex Pro

If you liked this pod­cast and want to review it on Itunes, this link gets you to the main page

If you are inter­ested in writ­ing for our blog please con­tact me photography.ca (   A   T  ) G m ail  Dot co m (using stan­dard email formatting)

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If you are still lurk­ing on our forum,
feel free to join our friendly :)  Pho­tog­ra­phy forum

Thanks to Benny and Del­ben­son­pho­tog­ra­phy who posted  blog com­ments about our last pod­cast. Thanks as always to every­one that sent com­ments by email about our last pod­cast. Although ALL com­ments are appre­ci­ated, com­ment­ing directly in this blog is pre­ferred. Thanks as well to all the new mem­bers of the bul­letin board. Most of the links to actual the prod­ucts are affil­i­ate links that help sup­port this site. Thanks in advance if you pur­chase through those links.

If you are look­ing at this mate­r­ial on any other site except Photography.ca — Please hop on over to the Photography.ca blog and pod­cast and get this and other pho­tog­ra­phy info directly from the source. |Sub­scribe with iTunes|Sub­scribe via RSS feed |Sub­scribe with Google Reader|Sub­scribe for free to the Pho­tog­ra­phy pod­cast — Photography.ca and get all the posts/podcasts by Email
You can down­load this pho­tog­ra­phy pod­cast directly by click­ing the pre­ced­ing link or lis­ten to it almost imme­di­ately with the embed­ded player below.

Thanks for lis­ten­ing and keep on shooting!

101 — Intentional Camera Movement — Interview with Michael Orton

Pho­tog­ra­phy pod­cast #101 fea­tures an inter­view with one of my favorite pho­tog­ra­phers, fine art pho­tog­ra­pher Michael Orton. In this pod­cast we talk about delib­er­ately mov­ing your cam­era dur­ing the expo­sure. Nor­mally, this is FORBIDDEN and you do every­thing in your power to keep the cam­era as still as pos­si­ble while shoot­ing. But Michael has a very unique way of see­ing and has again bro­ken the rules. He has cre­ated a unique and fab­u­lous new port­fo­lio of one-of-a-kind abstract land­scape images, by way of inten­tional cam­era move­ment. This pod­cast dis­cusses inten­tional cam­era move­ments for cre­ative effect.

Michael Orton is a fine art pho­tog­ra­phy pio­neer. First he cre­ated Orton Imagery, AKA the Orton effect some 30ish years ago.  This tech­nique has been used by tens of thou­sands of pho­tog­ra­phers and has become so pop­u­lar that Adobe Ele­ments 10 now fea­tures an action called the Orton Effect. I’d bet hard that Michael’s tech­nique involv­ing com­pound cam­era move­ments also devel­ops a cult-like fol­low­ing in the years to come. Thanks so much Michael!

 

Awakening by Michael Orton
Awak­en­ing by Michael Orton — The abstract painterly feel to this image was cre­ated IN CAMERA by using Inten­tional cam­era movement.

 

Michael Orton at ‘Work’ — Image by Marko Kulik

 

Links /resources men­tioned in this pod­cast:
– Michael Orton Pho­tog­ra­phy
Michael Orton’s fea­ture on Photography.ca
– 67 – Orton Imagery – The Orton Effect – Inter­view with Michael Orton and Dar­win Wiggett — Pod­cast #67
– Pho­tograph­ing Cre­ative Land­scapes by Michael Orton: Sim­ple Tools for Artis­tic Images and Enhanced Creativity


If you liked this pod­cast and want to review it on Itunes, this link gets you to the main page

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If you are still lurk­ing on our forum,
feel free to join our friendly :)  Pho­tog­ra­phy forum

Thanks to Patrick, Bambi and Glenn Euloth who posted  blog com­ments about our last pod­cast. Thanks as always to every­one that sent com­ments by email about our last pod­cast. Although ALL com­ments are appre­ci­ated, com­ment­ing directly in this blog is pre­ferred. Thanks as well to all the new mem­bers of the bul­letin board. Most of the links to actual the prod­ucts are affil­i­ate links that help sup­port this site. Thanks in advance if you pur­chase through those links.

If you are look­ing at this mate­r­ial on any other site except Photography.ca — Please hop on over to the Photography.ca blog and pod­cast and get this and other pho­tog­ra­phy info directly from the source. |Sub­scribe with iTunes|Sub­scribe via RSS feed |Sub­scribe with Google Reader|Sub­scribe for free to the Pho­tog­ra­phy pod­cast — Photography.ca and get all the posts/podcasts by Email
You can down­load this pho­tog­ra­phy pod­cast directly by click­ing the pre­ced­ing link or lis­ten to it almost imme­di­ately with the embed­ded player below.

Thanks for lis­ten­ing and keep on shooting!

95 — Larry King family portrait — Interview with Laszlo of Montreal

Pho­tog­ra­phy pod­cast #95 fea­tures an inter­view with Cana­dian pho­tog­ra­pher Las­zlo of Mon­treal. In this inter­view Las­zlo talks about a recent por­trait ses­sion with Larry King and his fam­ily. In an effort to illus­trate how keep­ing it sim­ple can yield great results, Las­zlo decon­structs this pho­to­graph while talk­ing about light­ing, com­po­si­tion and technique.

Larry King family portrait by Laszlo of Montreal

Larry King fam­ily © Las­zlo of Montreal

Links /resources men­tioned in this podcast:

Show us your parks is the reg­u­lar assign­ment this month on our pho­tog­ra­phy forum
Macro — closeup  is the level 2 assign­ment this month on our pho­tog­ra­phy forum
If you liked this pod­cast and want to write a tes­ti­mo­nial, it’s a great way to say “Thanks” and it’s super-appreciated

If you liked this pod­cast and want to review it on Itunes, this link gets you to the main page

If you are inter­ested in writ­ing for our blog please con­tact me photography.ca (   A   T  ) G m ail  Dot co m (using stan­dard email formatting)

Please join the Photography.ca fan page on Facebook

My Face­book pro­file — Feel free to “friend” me — please just men­tion Photography.ca
My Twit­ter page — I will fol­low you if you fol­low me — Let’s con­nect — PLEASE email me and tell me who you are in case I don’t rec­i­p­ro­cate because I think you are a spammer.

If you are still lurk­ing on our forum,
feel free to join our friendly :)  Pho­tog­ra­phy forum

Thanks to forum mem­ber Glenn Euloth (AKA Igua­nasan on our forum) who posted a blog com­ment about our last pod­cast. Thanks as always to every­one that sent com­ments by email about our last pod­cast. Although ALL com­ments are appre­ci­ated, com­ment­ing directly in this blog is pre­ferred. Thanks as well to all the new mem­bers of the bul­letin board. Most of the links to actual the prod­ucts are affil­i­ate links that help sup­port this site. Thanks in advance if you pur­chase through those links.

If you are look­ing at this mate­r­ial on any other site except Photography.ca — Please hop on over to the Photography.ca blog and pod­cast and get this and other pho­tog­ra­phy info directly from the source. |Sub­scribe with iTunes |Sub­scribe via RSS feed |Sub­scribe with Google Reader|Sub­scribe for free to the Pho­tog­ra­phy pod­cast — Photography.ca and get all the posts/podcasts by Email
You can down­load this pho­tog­ra­phy pod­cast directly by click­ing the pre­ced­ing link or lis­ten to it almost imme­di­ately with the embed­ded player below.

Thanks for lis­ten­ing and keep on shooting!

90 — Tilt shift lenses for landscape photography — Interview w/ Darwin Wiggett

Pho­tog­ra­phy pod­cast #90 fea­tures an inter­view with Cana­dian land­scape pho­tog­ra­pher Dar­win Wiggett. It was recorded on a photo tour in the Alberta Rock­ies led by Dar­win. In the inter­view Dar­win dis­cusses why he often uses a tilt shift lens in land­scape pho­tog­ra­phy. For those that have never heard of a tilt shift lens, it’s a lens that has the abil­ity to tilt and/or shift while attached to your cam­era. The tilt­ing aspect of the lens allows you to get amaz­ing depth of field (REGARDLESS‚ of aper­ture) because the lens can tilt in the same direc­tion as the plane of focus. The shift aspect of the lens allows you to cor­rect non par­al­lel lines in cam­era when pho­tograph­ing a build­ing for exam­ple. It also allows for easy panora­mas. Dar­win is a fab­u­lous teacher so take a lis­ten and it will all make even more sense. We also talk a bit about test­ing your lenses, res­o­lu­tion, aper­ture, depth of field and image circles.

An exam­ple of a tilt shift lens

Note how the image on the right has SUPERB depth of field because the tilt shift lens was TILTED into the plane of focus. Image at left uses a regular wide angle lens.

Note how the image on the right has SUPERB depth of field because the tilt shift lens was TILTED into the plane of focus. Image at left uses a reg­u­lar wide angle lens. ‚©D. Wiggett

Note how the lighthouse is straight in the shot at right due to the shift correction on a tilt shift lens

Note how the light­house is straight in the shot at right due to the SHIFT cor­rec­tion on a tilt shift lens. Image at left uses a reg­u­lar wide angle lens. ‚© D. Wiggett

Links /resources men­tioned in this pod­cast:
Work­shops and photo tours with Dar­win Wiggett
Jay Maisel Doc­u­men­tary for inspi­ra­tion
Show us where you live is the reg­u­lar assign­ment this month on our pho­tog­ra­phy forum
Time (No clocks) is the level 2 assign­ment this month on our pho­tog­ra­phy forum
Nikon’s 24mm tilt shift lens at B&H
Canon’s 24mm tilt shift lens at B&H

Please join the Photography.ca fan page on Facebook

If you liked this pod­cast and want to review it on Itunes, this link gets you to the main page

My Face­book pro­file — Feel free to “friend” me — please just men­tion Photography.ca
My Twit­ter page — I will fol­low you if you fol­low me — Let’s con­nect — PLEASE email me and tell me who you are in case I don’t rec­i­p­ro­cate because I think you are a spammer.

If you are still lurk­ing on our forum,
feel free to join our friendly :) Pho­tog­ra­phy forum

Thanks to Ice­Cream­Man and Benny who posted a blog com­ment about our last pod­cast. Thanks as always to every­one that sent com­ments by email about our last pod­cast. Although ALL com­ments are appre­ci­ated, com­ment­ing directly in this blog is pre­ferred. Thanks as well to all the new mem­bers of the bul­letin board. Most of the links to actual the prod­ucts are affil­i­ate links that help sup­port this site. Thanks in advance if you pur­chase through those links.

If you are look­ing at this mate­r­ial on any other site except Photography.ca — Please hop on over to the Photography.ca blog and pod­cast and get this and other pho­tog­ra­phy info directly from the source. |Sub­scribe with iTunes |Sub­scribe via RSS feed |Sub­scribe with Google Reader |Sub­scribe for free to the Pho­tog­ra­phy pod­cast — Photography.ca and get all the posts/podcasts by Email
You can down­load this pho­tog­ra­phy pod­cast directly by click­ing the pre­ced­ing link or lis­ten to it almost imme­di­ately with the embed­ded player below.

82 — Light-painting portraits — Interview with Patrick Rochon

Pho­tog­ra­phy pod­cast #82 dis­cusses paint­ing with light AKA light paint­ing with mas­ter light painterPatrick Rochon. In a nut­shell, light paint­ing is (usu­ally) the art of using portable lights like flash­lights to ‘paint’ a sub­ject in a dark envi­ron­ment while the shut­ter stays open on a tri­pod dur­ing a long expo­sure. In this pod­cast Patrick describes and shares some of the tips and tricks he uses to cre­ate his amaz­ing light painted por­traits. The major­ity of Patrick’s body of work, like the image below is non-digital, was shot on film, and has not been Photoshopped.

Patrick Rochon - From the Butoh Dancers Series
Patrick Rochon — From the Butoh Dancers Series

Links /resources men­tioned in this podcast:

Pod­cast #8 — Anotherpod­cast on light paint­ing
Patrick Rochon on Photography.ca
Patrick Rochon’s web­site
10 Amaz­ing Light Graf­fiti Artists and Pho­tog­ra­phers
Light paint­ing group on Flickr
May 2010’s — Vin­tage assign­ment on the Photography.ca forum

Please join the Photography.ca fan page on Facebook

If you liked this pod­cast and want to review it on Itunes, this link gets you to the main page

My Face­book pro­file — Feel free to “friend” me — please just men­tion Photography.ca
My Twit­ter page — I will fol­low you if you fol­low me — Let’s con­nect — PLEASE email me and tell me who you are in case I don’t rec­i­p­ro­cate because I think you are a spammer.

If you are still lurk­ing on our forum,
feel free to join our friendly :) Pho­tog­ra­phy forum

Thanks toJack Label who posted a blog com­ment about our last pod­cast. Thanks as always to every­one that sent com­ments by email about our last pod­cast. Although ALL com­ments are appre­ci­ated, com­ment­ing directly in this blog is pre­ferred. Thanks as well to all the new mem­bers of the bul­letin board.

If you are look­ing at this mate­r­ial on any other site except Photography.ca — Please hop on over to thePhotography.ca blog and pod­cast and get this and other pho­tog­ra­phy info directly from the source. ISub­scribe with iTunes ISub­scribe via RSS feed ISub­scribe with Google Reader ISub­scribe for free to the Pho­tog­ra­phy pod­cast — Photography.ca and get all the posts/podcasts by Email
You can down­load this pho­tog­ra­phy pod­cast directly by click­ing the pre­ced­ing link or lis­ten to it almost imme­di­ately with the embed­ded player below.

77 — Neutral density filters — Graduated neutral density filters — Interview with D. Wiggett

Pho­tog­ra­phy pod­cast #77 fea­tures an inter­view with Dar­win Wiggett where we talk about neu­tral den­sity fil­ters and grad­u­ated neu­tral den­sity fil­ters. Dar­win explains why we use these fil­ters and how to use these fil­ters effec­tively. We dis­cuss hard edge ver­sus soft edge, phys­i­cal ver­sus soft­ware fil­ters, we even talk about reverse grad­u­ated neu­tral den­sity fil­ters. For new­bie pho­tog­ra­phers that have just hatched, Dar­win goes over polar­iz­ing fil­ters as well.

Left - Screw on neutral density filter. Right - The Cokin system

Left — Screw on neu­tral den­sity fil­ter. Right — The Cokin system

Left - Lake with no filter. Right - Lake with polarizer and-2-stop hard edge grad. Notice how much poppier this shot is. The grad reduces the shyd intensity. The polarizer removes the waters reflections thus saturating its colours.

Left — Lake with no fil­ter. Right — Lake with polar­izer and-2-stop hard edge grad. Notice how much ‘pop­pier’ this shot is. The grad reduces the sky’s inten­sity. The polar­izer adds con­trast to the clouds in the sky and inten­si­fies its colour. It also removes the water’s reflec­tions thus sat­u­rat­ing its colours. ‚© Dar­win Wiggett

Left - Tire with Polarizer and-2-stop-hard-grad. Right - Tire with Polarizer plus a 2-stop-hard-edge grad and-a 5-stop solid-ND filter. Note the movement of the foreground brush. This was achieved by using the solid ND filter to get a slow shutter speed

Left — Tire with Polar­izer and-2-stop-hard-grad. Right — Tire with a Polar­iz­ing fil­ter plus a 2-stop-hard-edge grad and-a 5-stop solid-ND fil­ter. Note the move­ment of the fore­ground brush and the soft­ness in the clouds. This was achieved by using the solid ND fil­ter to get a slow shut­ter speed. ‚© Dar­win Wiggett.

The effect of a polarizer on its own. Left - No polarizing filter. Right - The circular polarizing filter lets you see through the water by eliminating the waters reflectivity.

The effect of a polar­izer on its own. Left — No polar­iz­ing fil­ter. Right — The polar­iz­ing fil­ter lets you see through the water by elim­i­nat­ing the water’s reflec­tiv­ity. With the reflec­tions removed, the colour is much more sat­u­rated. ‚© Dar­win Wiggett

Links /resources men­tioned in this podcast:

Seven Rules for Effec­tively Using a Polar­izer
Fil­ters, hold­ers and vignetting: build­ing a fil­ter sys­tem that works with your lenses
The Ter­rific Triple Threat
Fields of Gold (or was that blue?) Three Cam­era Fil­ters all Dig­i­tal Pho­tog­ra­phers Should be Using
Fil­ters for Out­door Pho­tog­ra­phy
January’s macro or close-up assign­ment on the Photography.ca forum
Cokin fil­ters at B&H (Dis­clo­sure — Aff links — help sup­port our site)
Singh-Ray fil­ters at B&H
Lee fil­ters at B&H

Please join the Photography.ca fan page on Face­book
My Face­book pro­file — Feel free to “friend” me — please just men­tion Photography.ca

My Twit­ter page — I will fol­low you if you fol­low me — Let’s con­nect — PLEASE email me and tell me who you are in case I don’t rec­i­p­ro­cate because I think you are a spammer.

If you are still lurk­ing on our forum,
feel free to join our friendly :) Pho­tog­ra­phy forum

Thanks to jack­la­bel, AcadieLi­bre and Mars observer who posted a blog com­ment about our last pod­cast. Thanks as always to every­one that sent com­ments by email about our last pod­cast. Although ALL com­ments are appre­ci­ated, com­ment­ing directly in this blog is pre­ferred. Thanks as well to all the new mem­bers of the bul­letin board.

If you are look­ing at this mate­r­ial on any other site except Photography.ca — Please hop on over to the Photography.ca blog and pod­cast and get this and other pho­tog­ra­phy info directly from the source. I Sub­scribe with iTunes I Sub­scribe via RSS feed I Sub­scribe with Google Reader I Sub­scribe for free to the Pho­tog­ra­phy pod­cast — Photography.ca and get all the posts/podcasts by Email
You can down­load this pho­tog­ra­phy pod­cast directly by click­ing the pre­ced­ing link or lis­ten to it almost imme­di­ately with the embed­ded player below.

67 — Orton Imagery — The Orton Effect — Interview with Michael Orton and Darwin Wiggett

Pho­tog­ra­phy pod­cast #67 dis­cusses how to use Orton Imagery (AKA the Orton effect or the Orton Tech­nique) to give your pho­tographs an ethereal/painterly feel. This tech­nique was invented by Michael Orton in the mid 1980’s using 2 pieces of over­ex­posed slide film sand­wiched together. The prin­ci­ples of this tech­nique can also be used in graph­ics pro­grams like Pho­to­shop to achieve a sim­i­lar effect. This pod­cast con­tains 2 inter­views; one with Michael Orton dis­cussing‚ the technique’s his­tory, and one with Dar­win Wiggett,‚ dis­cussing his method for cre­at­ing Orton Imagery using Pho­to­shop and other graph­ics pro­grams. Darwin’s step-by-step is out­lined below and his Pho­to­shop action is also included. Thanks a ton Michael and Darwin!!

Image by Michael Orton - click to enlarge

Orton Imagery by Michael Orton — Click to enlarge

NMP2823 - Non-Orton image by Darwin Wiggett - Click to enlarge

NMP2823 — Non-Orton image by Dar­win Wiggett — Click to enlarge

NMP2823 - Orton image by Darwin Wiggett - Click to enlarge

NMP2823 — Orton image by Dar­win Wiggett — Click to enlarge

NMP9058 - Orton image by Darwin Wiggett - Click to enlarge

NMP9058 — Orton image by Dar­win Wiggett — Click to enlarge

NMP6435 - Orton image by Darwin Wiggett - Click to enlarge

NMP6435 — Orton image by Dar­win Wiggett — Click to enlarge

Here’s how to cre­ate Orton Imagery Using Pho­to­shop. Por­tion reprinted from from Orton Imagery — A …œHow to‚ guide for Pho­tog­ra­phers by Dar­win Wiggett. Thanks to Nature Pho­tog­ra­phers online mag­a­zine for allow­ing me to reprint this.

Dig­i­tal Tech­nique to Cre­ate Orton Images

Here, there are many ways to sim­u­late an Orton slide sand­wich. You can do it the same way as out­lined above for slides over­ex­pos­ing two sep­a­rate images and then in the com­puter stack­ing the images together in soft­ware and blend­ing them. Per­son­ally, I pre­fer to take my exist­ing dig­i­tized pho­tos (either from film scans or dig­i­tal cam­era files) and run­ning them through the process below to see if they work as …œOr­ton Images‚.

Here is the step-by-step recipe for mak­ing Orton images in Photoshop:

  1. Open any image you wish to try the tech­nique on. Make a dupli­cate of the image (Image>Duplicate). Close the orig­i­nal image.
  2. Lighten the image as fol­lows: Image>Apply Image‚¦ then in the dia­log box that comes up change the bend­ing mode to …œScreen‚ and the Opac­ity to 100%. This will give you an appro­pri­ately over­ex­posed image.
  3. Dupli­cate this over­ex­posed image (Image>Duplicate).
  4. Blur this sec­ond image (Filter>Blur>Gaussian Blur‚¦ and in the dia­log box use a Radius set­ting of 15 to 50 pix­els ‚” the higher the pixel set­ting the blur­rier the photo and the more ‹“painter­lyž the image‚¦ but you can go too far!). Exper­i­ment with dif­fer­ent set­tings, for my tastes and for the size of my dig­i­tal files (50–100 megabytes) a radius of about 25 pix­els works perfect.
  5. Now select the move tool from the Pho­to­shop tool bar (or just press …œv‚ on your key­board for quicker access to the move tool). Hold down the …œshift‚ key and use your mouse to drag and drop the blurry image onto the sharp one (donžt let go of the shift key until after you release the mouse but­ton or the images wonžt be in per­fect alignment).
  6. Bring up the lay­ers palette in Pho­to­shop (F7 is the key­board short­cut). Under the word …œLay­ers‚ in the lay­ers palette will be a menu box of blend­ing modes. Change the blend­ing mode from …œnor­mal‚ to …œmultiply‚.
  7. Now …œflat­tenž the two lay­ers by press­ing …œCTRL+E‚ or by click­ing on the side­ways tri­an­gle in the lay­ers palette to select ‹“flat­ten imagež.

There, you now have an Orton image — if you like your new mas­ter­piece save the file!

Copy­right Dar­win Wiggett and Nature Pho­tog­ra­phers Online Mag­a­zine — All rights reserved.
—————————————————————————————————

Dwayne Oaks from our pho­tog­ra­phy forum also lists the way he uses the Orton effect using NX2 soft­ware. Thanks Dwayne.
1-use mid­tone (lev­els) slider to brighten photo (2.04)
2-select gauss­ian blur, set radius slider to (15.85)px and opac­ity to (100)%
go to blend­ing mode and select (mul­ti­ply)
3-readjust (lev­els) slid­ers if nec­es­sary
4-in the case of my work to get the muted col­ors just turn down
the saturation

Links /resources men­tioned in this pod­cast:
More of Dar­win Wiggett’s work on Timecatcher.com
Pho­tograph­ing Cre­ative Land­scapes: Sim­ple Tools for Artis­tic Images and Enhanced Cre­ativ­ity by Michael Orton
Dances with Light by Dar­win Wiggett
Down­load Darwin’s Orton Action
June’s low shoot­ing angle assign­ment on the Photography.ca forum
See and vote on May 2009’s mem­ber images

If you are still lurk­ing on our forum,
feel free to join our friendly :) Pho­tog­ra­phy forum

Thanks as always to every­one that sent com­ments by email about our last pod­cast. Although ALL com­ments are appre­ci­ated, com­ment­ing directly in this blog is pre­ferred. Thanks as well to all the new mem­bers of the bul­letin board.

If you are look­ing at this mate­r­ial on any other site except Photography.ca — Please hop on over to the Photography.ca blog and pod­cast and get this and other pho­tog­ra­phy info directly from the source. I Sub­scribe with iTunes I Sub­scribe via RSS feed I Sub­scribe with Google Reader I Sub­scribe for free to the Pho­tog­ra­phy pod­cast — Photography.ca and get all the posts/podcasts by Email
You can down­load this pho­tog­ra­phy pod­cast directly by click­ing the pre­ced­ing link or lis­ten to it almost imme­di­ately with the embed­ded player below.

62 — Monitor — printer calibration — Interview with Joe Brady

Pho­tog­ra­phy pod­cast #62 fea­tures an intro­duc­tion into mon­i­tor cal­i­bra­tion and pro­fil­ing and printer cal­i­bra­tion and pro­fil­ing by way of an inter­view with Joe Brady of MAC­grou­pUS. Joe clears up many com­mon ques­tions that we have when it comes to mon­i­tor pro­fil­ing and tells us straight up why hard­ware devices that pro­file your mon­i­tor are vastly supe­rior to the pro­fil­ing soft­ware that comes with mon­i­tors. We talk about colour space, ICC pro­files and how (unfor­tu­nately) the aver­age pho­tog­ra­pher is using a bad mon­i­tor and a flawed work­flow to proof their work. The next pod­cast will fea­ture a full review of the col­or­munki and i1XTreme hard­ware pro­fil­ing devices gra­ciously loaned to me by MACgroupUS.

This image is just to illus­trate a point. On the left is an image off of an UNcal­i­brated Eizo Mon­i­tor. On the right is that same image on a mid-range mon­i­tor that I thought was some­what cal­i­brated. Side by side you can see how the Eizo has a greater tonal range and less of a cast. The results are WAY more dra­matic when you see the result­ing prints with your eyes. When you actu­ally cal­i­brate and pro­file the mon­i­tor using qual­ity cal­i­bra­tion hard­ware, you get the best (or close to the best) result that the par­tic­u­lar mon­i­tor can deliver. This usu­ally trans­lates to a wider tonal range with whites being whiter and blacks cast free as well, com­pared to the pre-calibrated monitor.

Links men­tioned in this podcast:

col­or­munki
i1XTREME
col­or­munki train­ing — Videos on using color munki along with color the­ory
Guess what it is thread

Assign­ments on our pho­tog­ra­phy bul­letin board:
March 2009 Photo Assign­ment — Wind
March 2009 — Assign­ment — pho­tograph­ing words — Wind

Thanks as always to Susan, Steven K, Jla­bel, Kent Wil­son and Tony who posted a blog com­ment about our last pod­cast and to all the new mem­bers of the bul­letin board.

If you are look­ing at this mate­r­ial on any other site except Photography.ca — Please hop on over to the Photography.ca blog and pod­cast and get this and other pho­tog­ra­phy info directly from the source. I Sub­scribe with iTunes I Sub­scribe via RSS feed I Sub­scribe with Google Reader I Sub­scribe for free to the Pho­tog­ra­phy pod­cast — Photography.ca and get all the posts/podcasts by Email
You can down­load this pho­tog­ra­phy pod­cast directly by click­ing the pre­ced­ing link or lis­ten to it almost imme­di­ately with the embed­ded player below.

60 — Panning and the Weston Portrait — Interview with Laszlo of Montreal

Pho­tog­ra­phy pod­cast #60 fea­tures an inter­view with pho­tog­ra­pher Las­zlo of Mon­treal. In this inter­view, Las­zlo decon­structs a por­trait of Loblaws owner Galen Weston so that we may learn from it. In the inter­view he describes the var­i­ous tech­niques used to cre­ate this image includ­ing pan­ning, bal­anc­ing the flash and the ambi­ent light as well as his choice of shut­ter speed and envi­ron­ment for this image.

Galen Weston by Laszlo

Galen Weston by Las­zlo — Click to enlarge

Links men­tioned in this pod­cast:
Laszlo’s web­site
Laszlo’s Paul Anka por­trait
HDR Pod­cast #59

Assign­ments on the bul­letin board:
Jan­u­ary 2009 photo assign­ment — Warm and Cozy

Thanks as always to‚ Steven K,‚ Susan, Michael Van der Tol, landon9720, Yise­haq, Frank and Gary H who posted a blog com­ment about our last pod­cast and to all the new mem­bers of the bul­letin board.

If you are look­ing at this mate­r­ial on any other site except Photography.ca — Please hop on over to the Photography.ca blog and pod­cast and get this and other pho­tog­ra­phy info directly from the source. I Sub­scribe with iTunes I Sub­scribe via RSS feed I Sub­scribe with Google Reader I Sub­scribe for free to the Pho­tog­ra­phy pod­cast — Photography.ca and get all the posts/podcasts by Email
You can down­load this pho­tog­ra­phy pod­cast directly by click­ing the pre­ced­ing link or lis­ten to it almost imme­di­ately with the embed­ded player below.

59 — HDR — High dynamic range photography — Interview with Joseph Cartright

Pho­tog­ra­phy pod­cast #59 talks about HDR (High dynamic range) pho­tog­ra­phy in an inter­view with fash­ion pho­tog­ra­pher and HDR instruc­tor Joseph Car­tright. In this pod­cast we dis­cuss how to cre­ate an HDR pho­to­graph and be warned, this is an inter­me­di­ate level pod­cast. That said, Joseph reviews many of the terms that con­fuse dig­i­tal pho­tog­ra­phers these days, so part of the pod­cast (espe­cially the begin­ning) reviews con­cepts rel­e­vant to all dig­i­tal pho­tog­ra­phy. In a nut­shell an HDR image is made of 2 or more shots where the same scene is pho­tographed with brack­eted expo­sures and then put together with soft­ware in order to extend the dynamic range (get addi­tional infor­ma­tion in the high­lights, mid­tones and shad­ows) of the scene.

Here’s a few terms as explained by Joseph that are good to absorb right away;
– Lat­i­tude — Refers to how much you can be ‘off’ of the cor­rect expo­sure and still have a usable image.
– Dynamic range — Refers to the usable range of data you can cap­ture between the high­lights and the shad­ows before you lose data. (If you over­ex­pose too much there is no data in the whites or high­lights and if you under­ex­pose too much there is no data in the blacks or shadows).

HDR photograph

HDR Image by Joseph Car­tright — Click to enlarge

HDR photograph

HDR Image by Trey Rat­cliff — Click to enlarge — Orig­i­nal image http://stuckincustoms.com/2008/12/14/my-five-favorites-from-vancouver/

Links men­tioned in this pod­cast and HDR ref­er­ences — Joseph Car­tright Pho­tog­ra­phy

Soft­ware:

Pho­tomatix — http://www.hdrsoft.com/
FDR tools — http://fdrtools.com/front_e.php
Soft­ware overview — http://wiki.panotools.org/HDR_Software_overview

Ref­er­ence Sites:
http://www.hdrlabs.com/siggraph/
http://www.hdrlabs.com/siggraph/index_files/Witte_HDRI_Tips_Tricks.pdf
http://www.creativepro.com/article/photo-murals-make-you-think-big-really-big
HDR tuto­r­ial by Trey Ratcliff

Assign­ments on the bul­letin board:
Decem­ber photo assign­ment — The Hol­i­days
Decem­ber assign­ment — Pho­tograph­ing words — Winter

Thanks as always to‚ Steven K,‚ Susan, EJC, Dan, JK and aophoto who posted a blog com­ment about our last pod­cast. Thanks also to Mark3351, Alex Ross rana, djKianoosh, Rikki, eroder, The_Camera_Poser and ben­ja­mind­i­caprio for join­ing our bul­letin board and post­ing a few times. We LOVE com­ments and sug­ges­tions so please send more.

If you are look­ing at this mate­r­ial on any other site except Photography.ca — Please hop on over to the Photography.ca blog and pod­cast and get this and other pho­tog­ra­phy info directly from the source. I Sub­scribe with iTunes I Sub­scribe via RSS feed I Sub­scribe with Google Reader I Sub­scribe for free to the Pho­tog­ra­phy pod­cast — Photography.ca and get all the posts/podcasts by Email
You can down­load this pho­tog­ra­phy pod­cast directly by click­ing the pre­ced­ing link or lis­ten to it almost imme­di­ately with the embed­ded player below.

57 — Interview with photographer Phil Borges — Photography podcast

Pho­tog­ra­phy pod­cast #57 fea­tures an Inter­view with pho­tog­ra­pher Phil Borges at the 2008 Pho­to­plus con­fer­ence and expo in New York. (That conference/expo was excel­lent and packed full of cool new prod­ucts and world renowned photographers/instructors includ­ing Phil Borges as guest speakers/lecturers — Very much rec­om­mended and I’m going back in 2009).
In the inter­view Phil very briefly dis­cusses his career and some of his bod­ies of work in pho­tog­ra­phy, talks about his artis­tic style and tech­nique, and shares the way he cur­rently prints his work.

Chema, 77 of Bulava, Siberia from the series Spirit of Place - Siberia

Pho­to­graph by Phil Borges — Chema, 77 of Bulava, Siberia. From the series: Spirit of Place — Siberia

Links men­tioned in this pod­cast:
Cur­rent exhibits by Phil Borges
Phil Borges’s fea­ture on photography.ca
HP Z3100 printer
Hah­ne­muhle papers

Thanks as always to Jen, Steven K, Clusty, JD and‚ Susan who posted a blog com­ment about our last pod­cast. Thanks also to dmag­ick, wdaw­son, Lisa Scott, blove­less, dudley206098, Soft­ServeCo., Duane, Saarto1221, Elle, jmay­off, krpho­togs, jason­high­tower,‚ omhub­bard, aophoto, Ama­ranth, bar­bi­epurl, jill­ca­t­rina, johnyy­mathew, jayps, fsendel, Mike Guil­bault, jecky55, and DAVIS125 who recently joined the photography.ca forum and posted a few times. We LOVE com­ments and sug­ges­tions so please send more.

If you are look­ing at this mate­r­ial on any other site except Photography.ca — Please hop on over to the Photography.ca blog and pod­cast and get this and other pho­tog­ra­phy info directly from the source. I Sub­scribe with iTunes I Sub­scribe via RSS feed I Sub­scribe with Google Reader I Sub­scribe for free to the Pho­tog­ra­phy pod­cast — Photography.ca and get all the posts/podcasts by Email
You can down­load this pho­tog­ra­phy pod­cast directly by click­ing the pre­ced­ing link or lis­ten to it almost imme­di­ately with the embed­ded player below.