111 — My shit weather photo vacation

Pho­tog­ra­phy pod­cast #111 is a per­sonal account of the worst photo vaca­tion I have ever taken and the steps I took to make the expe­ri­ence more enjoy­able. I’d love to know how oth­ers have dealt with this issue in the past.

The Road to Nowhere - Yukon, Canada

The Road to Nowhere — Yukon, Canada
9 out of 10 days had vis­i­bil­ity sim­i­lar to this — Seren­ity now was my mantra

 

Due to all the bad vis­i­bil­ity in the moun­tains, I looked to the fore­ground instead which was often clear. Here I caught logs and tree stumps reflect­ing in the water at a small unnamed lake in Inu­vik, NWT, Canada

Lake Logs - Inuvik, NWT

Lake Logs — Inu­vik, NWT

 

Details are another fun thing to shoot when the grand scen­ics are bask­ing in obscu­rity.
This is the back of the sil­ver pick-up truck  we rented after cov­er­ing 400 KM on the muddy Demp­ster highway.

Dempster Highway Truck - Yukon, Canada

Demp­ster High­way Truck — Yukon, Canada
This truck was sil­ver before it got com­pletely caked with thick Demp­ster high­way mud.


Links /resources men­tioned in this podcast:

Rain Pho­tog­ra­phy — pod­cast #88

If you liked this pod­cast and want to review it on Itunes, this link gets you to the main page

If you are inter­ested in writ­ing for our blog please con­tact me photography.ca (   A   T  ) G m ail  Dot co m (using stan­dard email formatting)

Please join the Photography.ca fan page on Facebook

My Face­book pro­file — Feel free to “friend” me — please just men­tion Photography.ca
My Twit­ter page — I will fol­low you if you fol­low me — Let’s con­nect — PLEASE email me and tell me who you are in case I don’t rec­i­p­ro­cate because I think you are a spammer.

If you are still lurk­ing on our forum,
feel free to join our friendly :)  Pho­tog­ra­phy forum

Thanks as always to every­one that sent com­ments by email about our last pod­cast. Although ALL com­ments are appre­ci­ated, com­ment­ing directly in this blog is pre­ferred. Thanks as well to all the new mem­bers of the bul­letin board. Most of the links to actual the prod­ucts are affil­i­ate links that help sup­port this site. Thanks in advance if you pur­chase through those links.

If you are look­ing at this mate­r­ial on any other site except Photography.ca — Please hop on over to the Photography.ca blog and pod­cast and get this and other pho­tog­ra­phy info directly from the source. |Sub­scribe with iTunes|Sub­scribe via RSS feed |Sub­scribe with Google Reader|Sub­scribe for free to the Pho­tog­ra­phy pod­cast — Photography.ca and get all the posts/podcasts by Email
You can down­load this pho­tog­ra­phy pod­cast directly by click­ing the pre­ced­ing link or lis­ten to it almost imme­di­ately with the embed­ded player below.

Thanks for lis­ten­ing and keep on shooting!

110 — Crash course in black and white film photography

Pho­tog­ra­phy pod­cast #110 gives you a full on crash course in black and white film pho­tog­ra­phy in around 30 min­utes. Black and white film pho­tog­ra­phy is not at all dead. Many cre­ative pho­tog­ra­phers are get­ting their hands wet in a tra­di­tional dark­room.  If you’ve ever wanted to know what’s involved in black and white pho­tog­ra­phy, I take you through the entire process. We talk about film cam­eras, film, devel­op­ing film, print­ing con­tact sheets and print­ing a final print.
Thanks to John Vales from our photography.ca face­book group for sug­gest­ing this topic. Please feel free to “Like” that page. :)

Links /resources men­tioned in this podcast:

Apug.org — Ana­log Pho­tog­ra­phy Users Group
keh.com
Film pho­tog­ra­phy pod­cast with John Mead­ows
Ilford Delta 3200
Kodak Tri-X film
Kodak T-Max film
The neg­a­tive by Ansel Adams
Photo tuto­r­ial on devel­op­ing film. Shows nor­mal, under, over­ex­posed negs
Load­ing film onto a reel

Cir­cles is our reg­u­lar forum assign­ment for Spetem­ber
– Self Por­traits in a Mir­ror is our level 2 assign­ment for September

If you liked this pod­cast and want to review it on Itunes, this link gets you to the main page

If you are inter­ested in writ­ing for our blog please con­tact me photography.ca (   A   T  ) G m ail  Dot co m (using stan­dard email formatting)

Please join the Photography.ca fan page on Facebook

My Face­book pro­file — Feel free to “friend” me — please just men­tion Photography.ca
My Twit­ter page — I will fol­low you if you fol­low me — Let’s con­nect — PLEASE email me and tell me who you are in case I don’t rec­i­p­ro­cate because I think you are a spammer.

If you are still lurk­ing on our forum,
feel free to join our friendly :)  Pho­tog­ra­phy forum

Thanks to Lucille B and Michael Van der Tol who posted  blog com­ments about our last pod­cast. Thanks as always to every­one that sent com­ments by email about our last pod­cast. Although ALL com­ments are appre­ci­ated, com­ment­ing directly in this blog is pre­ferred. Thanks as well to all the new mem­bers of the bul­letin board. Most of the links to actual the prod­ucts are affil­i­ate links that help sup­port this site. Thanks in advance if you pur­chase through those links.

If you are look­ing at this mate­r­ial on any other site except Photography.ca — Please hop on over to the Photography.ca blog and pod­cast and get this and other pho­tog­ra­phy info directly from the source. |Sub­scribe with iTunes|Sub­scribe via RSS feed |Sub­scribe with Google Reader|Sub­scribe for free to the Pho­tog­ra­phy pod­cast — Photography.ca and get all the posts/podcasts by Email
You can down­load this pho­tog­ra­phy pod­cast directly by click­ing the pre­ced­ing link or lis­ten to it almost imme­di­ately with the embed­ded player below.

Thanks for lis­ten­ing and keep on shooting!

Photography forum image of the month – July 2012

Every month on our pho­tog­ra­phy forum mem­bers nom­i­nate images that they like. Then at the end of the month I choose an excel­lent image and talk about why it rocks. The photo I choose is not nec­es­sar­ily the best one of the month. I’ve come to real­ize it’s not really log­i­cal to pit images from totally dif­fer­ent gen­res against each other. That’s why there are cat­e­gories in photo con­tests. I just choose a photo that has extremely strong ele­ments that we can learn from.

Pink by Barefoot

Pink by Barefoot

This month’s choice is Pink by Barefoot

I chose this image for sev­eral reasons:

1 — Com­po­si­tion — The is a very inter­est­ing and unusual com­po­si­tion of a gor­geous bird sleep­ing. I really like the curve all around the bird’s body and where the eye falls in the image. The fram­ing is also inter­est­ing here and Bare­foot has clearly ‘made this his own’. The pure black back­ground also cre­ates inter­est­ing neg­a­tive space here.

2 — Light­ing — The lovely light­ing here is soft over­all and reveals lovely detail in most of the bird’s plumage. That said, cer­tain areas of the pho­to­graph are quite dark but not too dark for my eye. I really like the dra­matic aspect of the light in those selec­tive zones.

3 — Post pro­cess­ing — The post pro­cess­ing here is lovely. Mak­ing the back­ground go to pure black doesn’t always work but it works very well here to com­pli­ment the form of the bird. I dare say that some of the darker areas in the bird’s plumage actu­ally match the back­ground and this works for me. The bird is ren­dered in desat­u­rated tones that I find very strik­ing and suit­able to the sub­ject and mood of the image.

For all these rea­sons, this is my choice for image of the month. Since we all have opin­ions, some mem­bers may dis­agree with my choice. That’s cool but THIS thread is not the place for debate over my pick, NOR is it the place to fur­ther cri­tique the image. The pur­pose here is to sug­gest strong ele­ments in the photo that we may learn from.

Con­grats again Barefoot!

Essential and Advanced Filters for Creative and Outdoor Photography — E-book Review

A few months ago Dar­win Wiggett and Saman­tha Crysan­thou Pub­lished an e-book called Essen­tial and Advanced Fil­ters for Cre­ative and Out­door Pho­tog­ra­phy.  You may think that with dig­i­tal pho­tog­ra­phy the need for fil­ters is over and you would be mis­taken in think­ing this.

Cer­tain fil­ters like the polar­iz­ing fil­ter are essen­tial and at the time of this writ­ing, the effect of this fil­ter (which stays on my lens 95% of the time that I shoot out­doors in the day) is best achieved with an actual fil­ter on the lens. Although I have seen digital-effect polar­iz­ing fil­ters that you apply when post-processing an image, they suck when com­pared to the real thing. Dar­win and Saman­tha pro­vide awe­somely clear images and expla­na­tions as to why this fil­ter is essen­tial, how and when to use it cre­atively and when not to use it. This fil­ter is so impor­tant that a good 20% of the book is devoted to it. This sec­tion alone is worth the 10 dol­lars that they are charg­ing for the e-book.

Two other kinds of essen­tial fil­ters that Dar­win and Saman­tha talk about a great deal are grad­u­ated neu­tral den­sity fil­ters and neu­tral den­sity fil­ters. The pur­pose of grad­u­ated neu­tral den­sity fil­ters is to reduce the con­trast in a scene (like a clipped sky) because when a scene is too con­trasty the cam­era can not record all the tones even though our eye may see them. The fil­ters are nor­mally made of glass or plas­tic and are usu­ally shaded at one end and clear at the other end. Neu­tral den­sity fil­ters are solid coloured and are mainly used to make shut­ter speeds longer to achieve cre­ative blur­ring effects. This sec­tion of the book also has awe­some (fil­tered and non-filtered for com­par­i­son) images and crys­tal clear expla­na­tions on how to use these filters.

The final sec­tion of the book is ded­i­cated to addi­tional fil­ters that can add pop to your images as well as talk­ing about tech­ni­cal con­sid­er­a­tions like colour casts and noise reduction.

This e-book is fab and well worth the ten dol­lars. The only thing I might debate in this book is call­ing the neu­tral grad fil­ters essen­tial. I feel they are essen­tial only in cer­tain very impor­tant  cases. They are essen­tial if you want to spend less time in front of your com­puter post-processing your images, because your images will already have the con­trast con­trol built into the expo­sure. If you are already excel­lent at the HDR tech­nique, (tak­ing mul­ti­ple frames of the iden­ti­cal image with dif­fer­ent expo­sures and then blend­ing them in soft­ware) then these fil­ters are not essen­tial because you can achieve a sim­i­lar goal using HDR. That said, even if you know the HDR tech­nique well, grad­u­ated neu­tral den­sity fil­ters are still use­ful (per­haps even essen­tial) when the scene is con­trasty and involves movement.

It may come as no sur­prise that I highly rec­om­mend this 65 page e-book. Dar­win and Saman­tha are vet­eran pho­tog­ra­phers and teach­ers, write super-clearly and their pics really illus­trate the cre­ative effect these fil­ters have. This is an easy read with an easy on the eyes design. It’s a great e-book to have with you on your smart­phone or tablet for cre­ative inspi­ra­tion while in the field. It’s also a fab resource when you are think­ing about which of these fil­ters to buy.

This book can be pur­chased directly from Dar­win and Sam’s site. 

109 — Flash photography tips — Interview with Joe McNally

Pho­tog­ra­phy pod­cast #109 fea­tures an Inter­view about flash pho­tog­ra­phy with well known pho­tog­ra­pher Joe McNally. Joe has been shoot­ing for decades for well known mag­a­zines life Life, Sports Illus­trated and National Geo­graphic. He was in town giv­ing a sem­i­nar on the vari­ety of light­ing tech­niques you can achieve by using just one or two flashes. After the sem­i­nar I sat down with Joe for this quick inter­view  to talk about flash tips. In this pod­cast we talk about dif­fus­ing your flash, trig­ger­ing your flash and Joe talks about per­sonal projects.

© Joe McNally

 

Links /resources men­tioned in this podcast:

Joe McNally’s blog  — Joe McNally’s Dance Port­fo­lio
– Cold Bev­er­ages is our reg­u­lar forum assign­ment for July
– Oppo­sites is our level 2 forum assign­ment for July

If you liked this pod­cast and want to review it on Itunes, this link gets you to the main page

If you are inter­ested in writ­ing for our blog please con­tact me photography.ca (   A   T  ) G m ail  Dot co m (using stan­dard email formatting)

Please join the Photography.ca fan page on Facebook

My Face­book pro­file — Feel free to “friend” me — please just men­tion Photography.ca
My Twit­ter page — I will fol­low you if you fol­low me — Let’s con­nect — PLEASE email me and tell me who you are in case I don’t rec­i­p­ro­cate because I think you are a spammer.

If you are still lurk­ing on our forum,
feel free to join our friendly :)  Pho­tog­ra­phy forum

Thanks to Lucille B and Julian who posted  blog com­ments about our last pod­cast. Thanks as always to every­one that sent com­ments by email about our last pod­cast. Although ALL com­ments are appre­ci­ated, com­ment­ing directly in this blog is pre­ferred. Thanks as well to all the new mem­bers of the bul­letin board. Most of the links to actual the prod­ucts are affil­i­ate links that help sup­port this site. Thanks in advance if you pur­chase through those links.

If you are look­ing at this mate­r­ial on any other site except Photography.ca — Please hop on over to the Photography.ca blog and pod­cast and get this and other pho­tog­ra­phy info directly from the source. |Sub­scribe with iTunes|Sub­scribe via RSS feed |Sub­scribe with Google Reader|Sub­scribe for free to the Pho­tog­ra­phy pod­cast — Photography.ca and get all the posts/podcasts by Email
You can down­load this pho­tog­ra­phy pod­cast directly by click­ing the pre­ced­ing link or lis­ten to it almost imme­di­ately with the embed­ded player below.

Thanks for lis­ten­ing and keep on shooting!

108 — Film Photography Rocks — Interview w/John Meadows

Pho­tog­ra­phy pod­cast #108 fea­tures an Inter­view with fine art pho­tog­ra­pher John Mead­ows where we talk about the advan­tages of shoot­ing on film. Although it’s true that film pho­tog­ra­phy is slowly being replaced by dig­i­tal, it con­tin­ues to remain VERY pop­u­lar with fine art pho­tog­ra­phers for a bunch of rea­sons. One of these rea­sons is the incred­i­ble qual­ity of the cam­eras and lenses avail­able to film pho­tog­ra­phers that can be pur­chased these days for peanuts.

In this pod­cast we talk about the advan­tages of shoot­ing on film, film char­ac­ter­is­tics, buy­ing film, devel­op­ing your own film, print­ing your own images in a dark­room, the hybrid approach of using both film and dig­i­tal and more.

Dur­ing this phone inter­view recorded by Skype, the qual­ity of my voice is mediocre and I apol­o­gize in advance for this —  Luck­ily John Meadows’s voice sounds great.

Bro­ken and Unbro­ken © John Meadows

 

Links /resources men­tioned in this podcast:

Royce Howland’s fol­low up com­ment on the photo-realistic HDR pod­cast
John Mead­ows web­site
John Mead­ows on Flickr
apug.org — Ana­log Pho­tog­ra­phy Users Group
Freestyle film pho­tog­ra­phy sup­plies
Pocket light meter
Mar­shal Oils at B&H
Film at B&H
Photo tours in Mon­treal — Pri­vate pho­tog­ra­phy instruc­tion in Montreal

If you liked this pod­cast and want to review it on Itunes, this link gets you to the main page

If you are inter­ested in writ­ing for our blog please con­tact me photography.ca (   A   T  ) G m ail  Dot co m (using stan­dard email formatting)

Please join the Photography.ca fan page on Facebook

My Face­book pro­file — Feel free to “friend” me — please just men­tion Photography.ca
My Twit­ter page — I will fol­low you if you fol­low me — Let’s con­nect — PLEASE email me and tell me who you are in case I don’t rec­i­p­ro­cate because I think you are a spammer.

If you are still lurk­ing on our forum,
feel free to join our friendly :)  Pho­tog­ra­phy forum

Thanks to John Starmer, Lucille B, chris f, Rob S, Royce How­land, Mike Lang­ford and Del­ben­son­pho­tog­ra­phy who posted  blog com­ments about our last pod­cast. Thanks as always to every­one that sent com­ments by email about our last pod­cast. Although ALL com­ments are appre­ci­ated, com­ment­ing directly in this blog is pre­ferred. Thanks as well to all the new mem­bers of the bul­letin board. Most of the links to actual the prod­ucts are affil­i­ate links that help sup­port this site. Thanks in advance if you pur­chase through those links.

If you are look­ing at this mate­r­ial on any other site except Photography.ca — Please hop on over to the Photography.ca blog and pod­cast and get this and other pho­tog­ra­phy info directly from the source. |Sub­scribe with iTunes|Sub­scribe via RSS feed |Sub­scribe with Google Reader|Sub­scribe for free to the Pho­tog­ra­phy pod­cast — Photography.ca and get all the posts/podcasts by Email
You can down­load this pho­tog­ra­phy pod­cast directly by click­ing the pre­ced­ing link or lis­ten to it almost imme­di­ately with the embed­ded player below.

Thanks for lis­ten­ing and keep on shooting!

Photography forum image of the month – May 2012

Every month on our pho­tog­ra­phy forum mem­bers nom­i­nate images that they like. Then at the end of the month I choose an excel­lent image and talk about why it rocks. The photo I choose is not nec­es­sar­ily the best one of the month. I’ve come to real­ize it’s not really log­i­cal to pit images from totally dif­fer­ent gen­res against each other. That’s why there are cat­e­gories in photo con­tests. I just choose a photo that has extremely strong ele­ments that we can learn from.

Male RTH Hummingbird by Mike Bons

Male RTH Hum­ming­bird by Mike Bons

This month’s choice is Male RTH Hum­ming­bird Mike Bons

I chose this image for sev­eral reasons:

Com­po­si­tion — The com­po­si­tion here is very pleas­ing. The bird’s eye lines up on right near one of the lines of the thirds which is visu­ally inter­est­ing. The plant and the bird are cap­tured on a diag­o­nal which is also visu­ally inter­est­ing. Bright­ness is very well han­dled here and I find no dis­trac­tions that bother me.

Colour — What a rich pleas­ing colour palette used here. The colours of the bird and the flower even seem to match. Reds in the flower might be a hint too bright and over­sat­u­rated for me, but I can eas­ily live with it.

Sharp­ness — I love how sharp the bird is here (espe­cially the eye and the beak) ver­sus the out of focus back­ground, it totally pops.

Exposure/lighting — Again both are well han­dled. The com­bi­na­tion of flash and ambi­ent light is what is freez­ing the bird in mid-feeding here. I like how the bird is well lit with­out being ‘over-lit’ by the flash.

For all these rea­sons, this is my choice for image of the month. Since we all have opin­ions, some mem­bers may dis­agree with my choice. That’s cool but THIS thread is not the place for debate over my pick, NOR is it the place to fur­ther cri­tique the image. The pur­pose here is to sug­gest strong ele­ments in the photo that we may learn from.

Con­grats again Mike Bons for cap­tur­ing this lit­tle beauty.

F-16 Isn’t Magic

I’ve been giv­ing photo courses lately and I’m com­ing across a few points that peo­ple are reg­u­larly hav­ing trou­ble with. The lim­its of depth of field (or how sharp objects should be in gen­eral) is one of the things that many pho­tog­ra­phers don’t com­pre­hend. This is often because they are aware of only one of the three fac­tors that deter­mine depth of field, namely the aper­ture. Many of us know that when we use a small aper­ture we get good sharp­ness from fore­ground to back­ground ver­sus large aper­tures. But this is true only up to a cer­tain point because two other fac­tors are miss­ing.  A small aper­ture like F-16 isn’t a magic one that will give you great sharp­ness from fore­ground to back­ground in all cases.

Take the fol­low­ing image called Rust for exam­ple. It was cre­ated by Crash­cat from our forum for our monthly assign­ment called - June 2012 — f16 or smaller– Shoot­ing with a small aper­ture. Thx Crash­cat for the use of this image.


This image was shot at ISO 1600 f/16 at 1/20 using a 105mm lens.
As we can clearly see the depth of field here is shal­low and this is because there are two other fac­tors besides the cho­sen aper­ture that influ­ence depth of field. These fac­tors include the dis­tance from the object we are pho­tograph­ing and the focal length we use.  As we  approach an object, depth of field dimin­ishes. The longer the lens we use the less depth of field we will have ver­sus using a shorter one.

The image we are look­ing at is a macro image and so the cam­era is very close to the object. Had the cam­era been far­ther way, we’d see more sharp­ness from the top of the screw to the bot­tom of the screw. Not tons more sharp­ness mind you, but more. The side effect is that the screw wouldn’t have the mag­ni­fi­ca­tion that it does and would look less ‘close-up’.

Had this lens been wider, we’d also see a small increase in sharp­ness from the top of the screw to the bot­tom of the screw, but again the screw’s per­spec­tive would seem smaller.

There is no easy answer here. It’s just a mat­ter of prac­tis­ing and know­ing what to expect.

For those that are look­ing for fab­u­lous pre­ci­sion, feel free to use a depth of field cal­cu­la­tor which will show you the depth of field you can expect under any shoot­ing condition.

 

107 — Photo Realistic HDR — Interview w/Royce Howland

Pho­tog­ra­phy pod­cast #107  fea­tures an Inter­view with Cana­dian Nature pho­tog­ra­pher Royce How­land. In this pod­cast we talk specif­i­cally about how to get real­is­tic colours using the HDR process. HDR (high dynamic range) is a process that allows us to cap­ture details in the high­lighs and the shad­ows of our images by shoot­ing mul­ti­ple frames of the same image at dif­fer­ent expo­sures and then blend­ing them in software.

Many HDR images that we see on the web have really wonky and unre­al­is­tic colours. We pass no judge­ment on these types of images but this pod­cast is ded­i­cated to get­ting real­is­tic colours using the HDR process. We sum­ma­rize the process from why we do this, to cap­ture, to gear,  to using the soft­ware to cre­ate the images. We also dis­cuss the dif­fer­ences between the HDR process and using grad­u­ated neu­tral den­sity filters.

Old Prairie Church & Storm Front, Mundare Alberta Canada © Royce Howland

 

That Hal­loween Mood, Glen­more Reser­voir Cal­gary Alberta Canada © Royce Howland

 

Links /resources men­tioned in this podcast:

Royce How­land web­site
Royce Howland’s fea­ture on Photography.ca
Older HDR arti­cle by Royce How­land
HDR­Soft — Mak­ers of Pho­tomatix
Olo­neo — Mak­ers of Pho­to­Engine
Red Giant — Mak­ers of Magic Bul­let Pho­toLooks
HDR Labs — HDR infor­ma­tion resource
Topaz Adjust
HDR Efex Pro

If you liked this pod­cast and want to review it on Itunes, this link gets you to the main page

If you are inter­ested in writ­ing for our blog please con­tact me photography.ca (   A   T  ) G m ail  Dot co m (using stan­dard email formatting)

Please join the Photography.ca fan page on Facebook

My Face­book pro­file — Feel free to “friend” me — please just men­tion Photography.ca
My Twit­ter page — I will fol­low you if you fol­low me — Let’s con­nect — PLEASE email me and tell me who you are in case I don’t rec­i­p­ro­cate because I think you are a spammer.

If you are still lurk­ing on our forum,
feel free to join our friendly :)  Pho­tog­ra­phy forum

Thanks to Benny and Del­ben­son­pho­tog­ra­phy who posted  blog com­ments about our last pod­cast. Thanks as always to every­one that sent com­ments by email about our last pod­cast. Although ALL com­ments are appre­ci­ated, com­ment­ing directly in this blog is pre­ferred. Thanks as well to all the new mem­bers of the bul­letin board. Most of the links to actual the prod­ucts are affil­i­ate links that help sup­port this site. Thanks in advance if you pur­chase through those links.

If you are look­ing at this mate­r­ial on any other site except Photography.ca — Please hop on over to the Photography.ca blog and pod­cast and get this and other pho­tog­ra­phy info directly from the source. |Sub­scribe with iTunes|Sub­scribe via RSS feed |Sub­scribe with Google Reader|Sub­scribe for free to the Pho­tog­ra­phy pod­cast — Photography.ca and get all the posts/podcasts by Email
You can down­load this pho­tog­ra­phy pod­cast directly by click­ing the pre­ced­ing link or lis­ten to it almost imme­di­ately with the embed­ded player below.

Thanks for lis­ten­ing and keep on shooting!

Photography forum image of the month – April 2012

Every month on our pho­tog­ra­phy forum mem­bers nom­i­nate images that they like. Then at the end of the month I choose an excel­lent image and talk about why it rocks. The photo I choose is not nec­es­sar­ily the best one of the month. I’ve come to real­ize it’s not really log­i­cal to pit images from totally dif­fer­ent gen­res against each other. That’s why there are cat­e­gories in photo con­tests. I just choose a photo that has extremely strong ele­ments that we can learn from.

Weeds yet to be by JustinRyan215

Weeds yet to be by JustinRyan215

This month’s choice is weeds yet to be by JustinRyan215

I chose this image for sev­eral reasons:

Per­spec­tive — The per­spec­tive here is not what we are used to see­ing and it totally works. It gives the dan­de­lion an abstract feel (for a sec­ond at first look, it looked like a jel­ly­fish) yet we know what we are look­ing at. I really like the “star­like” wisp pat­terns that we are see­ing here and this is wholly due to the perspective.

Pro­cess­ing — The pro­cess­ing makes the image pop with­out draw­ing too much atten­tion to itself. I also like the vignette which helps frame the whole subject.

Expo­sure — Very well han­dled and this is a dif­fi­cult sub­ject. The whites (espe­cially around the perime­ter of the weed) have just enough detail to be as del­i­cate as the dan­de­lion itself.

For all these rea­sons, this is my choice for image of the month. Since we all have opin­ions, some mem­bers may dis­agree with my choice. That’s cool but THIS thread is not the place for debate over my pick, NOR is it the place to fur­ther cri­tique the image. The pur­pose here is to sug­gest strong ele­ments in the photo that we may learn from.

Con­grats again JustinRyan215 for this see­ing, cap­tur­ing and pro­cess­ing this cre­ative image.