Photo of the day (most days)

As many of you know I spend far too much time in front of the com­puter.‚ Being the admin on Photography.ca and Pets.ca is a great job and even though I do take pic­tures reg­u­larly, I often go many days with­out shoot­ing and this just has to change.

Three weeks ago I went on a photo tour in the Rock­ies with Dar­win Wiggett who has been inter­viewed on our pod­cast a few times already. Man, that Dar­win Wiggett is inspi­ra­tional and I came back on a photo high. Dar­win has been shoot­ing an image a day for well over a year I believe, and he calls it his daily snap. Here is Darwin’s daily snap for today Decem­ber 3rd 2010.

Although I am envi­ous of Darwin’s pas­sion and com­mit­ment, I know myself pretty well. I’ll try hard to post images that are shot by me and oth­ers, or post vin­tage pho­tog­ra­phy that I dig. I’ll even write a few lines about what intrigues me about the images. I should be able to do this sev­eral times a week each week — but not every sin­gle day. Any­way, effec­tive imme­di­ately and thanks again Dar­win for your addi­tional inspi­ra­tion, I’ll start post­ing pho­tos of the day as often as I can.

Here’s an image I shot just yes­ter­day a few meters from my home. The day was very over­cast and windy and pud­dles reflect­ing the city were every­where. The wind caused rip­ples in the water and gave it a painterly feel which caught my eye imme­di­ately. Because the scene already had very lit­tle colour I thought it best to con­vert it to BW using Sil­ver efex pro. Although the shot does feel a bit ‘dark’ to my eye, it did rep­re­sent the mood of the day and the chang­ing sea­sons. Please feel free to cri­tique or com­ment on any aspect of this image.

Puddle Reflection by Marko Kulik

Pud­dle Reflec­tion by Marko Kulik

90 — Tilt shift lenses for landscape photography — Interview w/ Darwin Wiggett

Pho­tog­ra­phy pod­cast #90 fea­tures an inter­view with Cana­dian land­scape pho­tog­ra­pher Dar­win Wiggett. It was recorded on a photo tour in the Alberta Rock­ies led by Dar­win. In the inter­view Dar­win dis­cusses why he often uses a tilt shift lens in land­scape pho­tog­ra­phy. For those that have never heard of a tilt shift lens, it’s a lens that has the abil­ity to tilt and/or shift while attached to your cam­era. The tilt­ing aspect of the lens allows you to get amaz­ing depth of field (REGARDLESS‚ of aper­ture) because the lens can tilt in the same direc­tion as the plane of focus. The shift aspect of the lens allows you to cor­rect non par­al­lel lines in cam­era when pho­tograph­ing a build­ing for exam­ple. It also allows for easy panora­mas. Dar­win is a fab­u­lous teacher so take a lis­ten and it will all make even more sense. We also talk a bit about test­ing your lenses, res­o­lu­tion, aper­ture, depth of field and image circles.

An exam­ple of a tilt shift lens

Note how the image on the right has SUPERB depth of field because the tilt shift lens was TILTED into the plane of focus. Image at left uses a regular wide angle lens.

Note how the image on the right has SUPERB depth of field because the tilt shift lens was TILTED into the plane of focus. Image at left uses a reg­u­lar wide angle lens. ‚©D. Wiggett

Note how the lighthouse is straight in the shot at right due to the shift correction on a tilt shift lens

Note how the light­house is straight in the shot at right due to the SHIFT cor­rec­tion on a tilt shift lens. Image at left uses a reg­u­lar wide angle lens. ‚© D. Wiggett

Links /resources men­tioned in this pod­cast:
Work­shops and photo tours with Dar­win Wiggett
Jay Maisel Doc­u­men­tary for inspi­ra­tion
Show us where you live is the reg­u­lar assign­ment this month on our pho­tog­ra­phy forum
Time (No clocks) is the level 2 assign­ment this month on our pho­tog­ra­phy forum
Nikon’s 24mm tilt shift lens at B&H
Canon’s 24mm tilt shift lens at B&H

Please join the Photography.ca fan page on Facebook

If you liked this pod­cast and want to review it on Itunes, this link gets you to the main page

My Face­book pro­file — Feel free to “friend” me — please just men­tion Photography.ca
My Twit­ter page — I will fol­low you if you fol­low me — Let’s con­nect — PLEASE email me and tell me who you are in case I don’t rec­i­p­ro­cate because I think you are a spammer.

If you are still lurk­ing on our forum,
feel free to join our friendly :) Pho­tog­ra­phy forum

Thanks to Ice­Cream­Man and Benny who posted a blog com­ment about our last pod­cast. Thanks as always to every­one that sent com­ments by email about our last pod­cast. Although ALL com­ments are appre­ci­ated, com­ment­ing directly in this blog is pre­ferred. Thanks as well to all the new mem­bers of the bul­letin board. Most of the links to actual the prod­ucts are affil­i­ate links that help sup­port this site. Thanks in advance if you pur­chase through those links.

If you are look­ing at this mate­r­ial on any other site except Photography.ca — Please hop on over to the Photography.ca blog and pod­cast and get this and other pho­tog­ra­phy info directly from the source. |Sub­scribe with iTunes |Sub­scribe via RSS feed |Sub­scribe with Google Reader |Sub­scribe for free to the Pho­tog­ra­phy pod­cast — Photography.ca and get all the posts/podcasts by Email
You can down­load this pho­tog­ra­phy pod­cast directly by click­ing the pre­ced­ing link or lis­ten to it almost imme­di­ately with the embed­ded player below.

89 — Interview with Joyce Tenneson — Michael Grecco — Notes from Jay Maisel

Pho­tog­ra­phy pod­cast #89 fea­tures 2 inter­views that were recorded at the PDN Pho­to­plus Con­fer­ence and Expo in New York last week­end.‚ This con­fer­ence and show hap­pens yearly and is one of the largest photo shows in North Amer­ica. It’s an AWESOME show/conference with all the lat­est prod­ucts and fab­u­lous sem­i­nars from some of the best pho­tog­ra­phers in North Amer­ica. This post/podcast will cover some of the sem­i­nars and other posts will cover some of the products.

Inter­view 1 is with fine art pho­tog­ra­pher Joyce Ten­neson. I’ve been fol­low­ing her work for close to 20 years so it was a real treat to inter­view her. In this inter­view we talk about find­ing a per­sonal style.

Inter­view 2 is with well know por­traitist and celebrity pho­tog­ra­pher Michael Grecco. In this inter­view Michael shares some of his light­ing secrets to achieve a dra­matic portrait.

Finally I share some of the notes that I took in a sem­i­nar led by mas­ter pho­tog­ra­pher Jay Maisel.

Thanks again to Joyce Ten­neson, Michael Grecco and Jay Maisel for allow­ing us to fea­ture their work and for their won­der­ful seminars.

Ingerborg Ten Haeff - From Wise Women ‚© Joyce Tenneson

Inger­borg Ten Haeff — From Wise Women ‚© Joyce Tenneson

Stevie Wonder ‚© Michael Grecco

Ste­vie Won­der ‚© Michael Grecco

A Jay Maisel image exemplifying 'gesture' ‚©Jay Maisel

A Jay Maisel image exem­pli­fy­ing ‘ges­ture’ ‚© Jay Maisel

Links /resources men­tioned in this pod­cast:
Joyce Ten­neson — fea­ture on Photography.ca
Michael Grecco — fea­ture on Photography.ca
Jay Maisel — fea­ture on Photography.ca
Jay Maisel Doc­u­men­tary
Light tools — for mod­i­fy­ing light
Dynalite kit at B&H
Show us where you live is the reg­u­lar assign­ment this month on our pho­tog­ra­phy forum
Time (No clocks) is the level 2 assign­ment this month on our pho­tog­ra­phy forum

Please join the Photography.ca fan page on Facebook

If you liked this pod­cast and want to review it on Itunes, this link gets you to the main page

My Face­book pro­file — Feel free to “friend” me — please just men­tion Photography.ca
My Twit­ter page — I will fol­low you if you fol­low me — Let’s con­nect — PLEASE email me and tell me who you are in case I don’t rec­i­p­ro­cate because I think you are a spammer.

If you are still lurk­ing on our forum,
feel free to join our friendly :) ¯¿½Pho­tog­ra­phy forum

Thanks to Sean G, Robertv, Shant M, Michael Van der Tol, Ice­Cream­Man and Glenn Euloth who posted a blog com­ment about our last pod­cast. Thanks as always to every­one that sent com­ments by email about our last pod­cast. Although ALL com­ments are appre­ci­ated, com­ment­ing directly in this blog is pre­ferred. Thanks as well to all the new mem­bers of the bul­letin board. Most of the links to actual the prod­ucts are affil­i­ate links that help sup­port this site. Thanks in advance if you pur­chase through those links. In the inter­est of full dis­clo­sure, I did not actu­ally pay to go see the sem­i­nars, I had a press pass. That said, if I did not think the sem­i­nars were great, I sim­ply would not have writ­ten about them.

If you are look­ing at this mate­r­ial on any other site except Photography.ca — Please hop on over to the¯¿½ Photography.ca blog and pod­cast and get this and other pho­tog­ra­phy info directly from the source. |¯¿½Sub­scribe with iTunes |¯¿½Sub­scribe via RSS feed |¯¿½Sub­scribe with Google Reader |Sub­scribe for free to the Pho­tog­ra­phy pod­cast — Photography.ca and get all the posts/podcasts by Email
You can down­load this pho­tog­ra­phy pod­cast directly by click­ing the pre­ced­ing link or lis­ten to it almost imme­di­ately with the embed­ded player below.

86 — Inkjet paper review 2 – Museo Silver rag, Portfolio rag – Moab entrada bright

Pho­tog­ra­phy pod­cast #86 is the sec­ond? pod­cast devoted to high end inkjet papers and it reviews and dis­cusses 3 of them. I LOVE photo papers (tra­di­tional and dig­i­tal) and I just bought a new Epson 3880 inkjet to test inkjet papers with?.and of course make larger prints.?There?s LOADS of cre­ative pos­si­bil­i­ties when you try new inkjet papers so I hope the review of these 3 papers?is use­ful to many listeners/readers.

All 3 of these papers are highly rec­om­mended. Museo Sil­ver rag is a thick (300 GSM) light cream coloured paper with a medium gloss fin­ish and a slight tex­ture. Museo Port­fo­lio rag is a thick (300GSM) matte paper with a cream colour and very slight tex­ture. Moab Entrada 300 bright is a thick (300GSM) dou­ble sided matte paper with a white colour and slight tex­ture. Just as an FYI, if i say a paper has a cream colour, oth­ers may say on first glance, no it’s white. How­ever, take that paper and put it beside some­thing like reg­u­lar plain white laser paper and the creamy base tone is more apparent.

Note as well that the 2 matte papers have opti­cal bright­en­ers in them. I also talk about ICC pro­files again. Here is where they go on your com­puter after you down­load them. MAC= MAC HD > Library > Col­or­Sync > Pro­files
Win­dows PC= C: > Win­dows > Sys­tem 32 > Spool > Dri­vers > Color

Detail from Parisian self por­trait on Museo sil­ver rag — ?Marko Kulik

Parisian self por­trait on Museo sil­ver rag — ?Marko Kulik

Detail from Reflec­tion at Dor­win — 2009 on Museo port­fo­lio rag — ?Marko Kulik

Reflec­tion at Dor­win — 2009 on Museo port­fo­lio rag — ?Marko Kulik

Detail from Parisian self por­trait on Museo port­fo­lio rag — ?Marko Kulik

Parisian self por­trait on Museo port­fo­lio rag — ?Marko Kulik

Links /resources men­tioned in this podcast:

Epson 3880 at B&H
Pod­cast 62 — Monitor/printer cal­i­bra­tion
Pod­cast 63 — I1 Extreme and Colour­Munki review & printer dia­logue boxes when print­ing.
Museo Sil­ver ragBuy Museo sil­ver rag at B&H
Museo Port­fo­lio ragBuy Museo port­fo­lio rag at B&H
Moab Entrada 300 bright- Buy Moab entrada bright 300 at B&H
Main assign­ment on our pho­tog­ra­phy forum — Min­i­mal­ism
Level 2 assign­ment on our? pho­tog­ra­phy forum — Side­light to cre­ate tex­ture in B/W

Publicphotograpgy.orgCel­e­brat­ing the rights of pho­tog­ra­phers -?Publicphotography.org — Flickr groupPublicphotography.org — Face­book group

Please join the Photography.ca fan page on Facebook

If you liked this pod­cast and want to review it on Itunes, this link gets you to the main page

My Face­book pro­file — Feel free to “friend” me — please just men­tion Photography.ca
My Twit­ter page — I will fol­low you if you fol­low me — Let’s con­nect — PLEASE email me and tell me who you are in case I don’t rec­i­p­ro­cate because I think you are a spammer.

If you are still lurk­ing on our forum,
feel free to join our friendly :) ?Pho­tog­ra­phy forum

Thanks to Benny who posted a blog com­ment about our last pod­cast. Thanks as always to every­one that sent com­ments by email about our last pod­cast. Although ALL com­ments are appre­ci­ated, com­ment­ing directly in this blog is pre­ferred. Thanks as well to all the new mem­bers of the bul­letin board. Most of the links to actual the prod­ucts are affil­i­ate links that help sup­port this site. Thanks in advance if you pur­chase through those links.

If you are look­ing at this mate­r­ial on any other site except Photography.ca — Please hop on over to the?Photography.ca blog and pod­cast and get this and other pho­tog­ra­phy info directly from the source. I?Sub­scribe with iTunes I?Sub­scribe via RSS feed I?Sub­scribe with Google Reader ISub­scribe for free to the Pho­tog­ra­phy pod­cast — Photography.ca and get all the posts/podcasts by Email
You can down­load this pho­tog­ra­phy pod­cast directly by click­ing the pre­ced­ing link or lis­ten to it almost imme­di­ately with the embed­ded player below.

74 — Hyperfocal distance — How to use the hyperfocal distance

Pho­tog­ra­phy pod­cast #74 is all about the hyper­fo­cal dis­tance and how to use it in land­scape pho­tog­ra­phy. In a nut­shell, hyper­fo­cal dis­tance is the dis­tance you focus at to get greater depth of field when focus­ing on an object in the dis­tance. In this pod­cast we define what hyper­fo­cal dis­tance is and how to use it for both tra­di­tional (film) pho­tog­ra­phy and in dig­i­tal pho­tog­ra­phy with new DSLRs and lenses.‚ We also talk about when not to use the hyper­fo­cal dis­tance in land­scape photography.

Hyperfocal distance chart

Hyper­fo­cal dis­tance chart from dofmaster.com — used by per­mis­sion; thanks Don Flem­ing!‚ This beau­ti­ful appli­ca­tion from the dofmaster.com site clearly shows that by focus­ing at the hyper­fo­cal dis­tance you gain over 4 feet of sharp­ness toward the fore­ground when you use a 5omm lens at F-16 and focus at 27.1 feet instead of‚ where the object actu­ally is at 50 feet.. Try this test for your­self; shoot 1 shot the reg­u­lar way and 1 shot using the hyper­fo­cal dis­tance. This appli­ca­tion already lists the most com­mon dig­i­tal cam­eras and takes their crop fac­tors into account.

Landscape photography
Left image shot nor­mally while right image was shot at the hyper­fo­cal dis­tance. Even at this small size you can see that the right shot shows a bit more sharp­ness in the midground while the back­ground looks sim­i­lar in both shots. The effects are more notice­able when you print at larger sizes.

Links /resources men­tioned in this podcast:

Dofmaster’s awe­some depth of field cal­cu­la­tor that also cal­cu­lates hyper­fo­cal dis­tance
Dofmaster’s depth of field cal­cu­la­tor for free use with an iphone (need to con­nect to the Net — use this URL from an IPhone ONLYNOT from your com­puter)
Dofmaster’s sim­u­lated depth of field cal­cu­la­tor for free use with an Non-iphones (need to con­nect to the Net)
Dofmaster’s Itunes depth of field cal­cu­la­tor App for $1.99 (No Inter­net con­nec­tion required)
November’s ‘land­scapes in por­trait orientation’‚assignment on the Photography.ca forum
Please join the Photography.ca fan page on Face­book
My Face­book pro­file — Feel free to “friend” me — please just men­tion Photography.ca

My Twit­ter page — I will fol­low you if you fol­low me — Let’s con­nect — PLEASE email me and tell me who you are in case I don’t rec­i­p­ro­cate because I think you are a spam­mer.

If you are still lurk­ing on our forum,
feel free to join our friendly :) Pho­tog­ra­phy forum

Thanks to Kat, Glenn Euloth (Igua­nasan), Bambi and Alex Maxim who posted a blog com­ment about our last pod­cast. Thanks as always to every­one that sent com­ments by email about our last pod­cast. Although ALL com­ments are appre­ci­ated, com­ment­ing directly in this blog is pre­ferred. Thanks as well to all the new mem­bers of the bul­letin board.

If you are look­ing at this mate­r­ial on any other site except Photography.ca — Please hop on over to the Photography.ca blog and pod­cast and get this and other pho­tog­ra­phy info directly from the source. I Sub­scribe with iTunes I Sub­scribe via RSS feed I Sub­scribe with Google Reader I Sub­scribe for free to the Pho­tog­ra­phy pod­cast — Photography.ca and get all the posts/podcasts by Email
You can down­load this pho­tog­ra­phy pod­cast directly by click­ing the pre­ced­ing link or lis­ten to it almost imme­di­ately with the embed­ded player below.

Photography tips (recap) — Photography podcast #50

Pho­tog­ra­phy pod­cast #50 recaps many of the pho­tog­ra­phy tips talked about in the past 49 pho­tog­ra­phy pod­casts. Here are some quick tips talked about in this pod­cast cho­sen from pre­vi­ous photo pod­casts; Watch­ing the back­grounddepth of fieldfill flashexpo­sure in pho­tog­ra­phypaint­ing with lightfram­ing your sub­jectinten­tional blurpolar­iz­ing and neu­tral grad fil­tersdig­i­tal in cam­era fil­terspat­ternslead­ing linesthe rule of thirds in pho­tog­ra­phydelib­er­ate under­ex­po­sureshutter-speeds - using shad­ows cre­ativelywide angle lensespos­ing mod­elsusing reflec­torsstu­dio setups for begin­nerscheap macro pho­tog­ra­phyone light por­traitslow-light pho­tog­ra­phyusing his­tograms your rights as a pho­tog­ra­phersim­ple back light­ing out­doorsbright­ness and other dis­trac­tionspho­tograph­ing babiesdodg­ing and burn­ing in pho­tog­ra­phy.

I’d also like to thank Las­zlo, Dominic Fuiz­zotto, Dita Kubin, Ann Dahlgren, Raphael Gold­chain, Vicky Reed, Jolene Mon­heim and Andre Nan­tel for the infor­ma­tive inter­views that they let me record with them. More inter­views are already sched­uled for future podcasts.

Here’s a quick snap­shot of a small part of Parc-Lafontaine where I have been recently record­ing these podcasts.

Thanks as always to Lan­don, Benny, San­dra 543, Man­a­ma­rak, Clau­dia regina, destruc­tivemi­crowave, ratio, kath­leen, taffy, kiddo, dag, trhoads, megster85, langdon9720, Richard Annable, kate and Ash­muddy for recent com­ments and sug­ges­tions. We LOVE com­ments and sug­ges­tions so please send more.

You can down­load this pho­tog­ra­phy pod­cast directly by click­ing the pre­ced­ing link or lis­ten to it almost imme­di­ately with the embed­ded player below.

If you wanted to review the pod­cast in Itunes it would be most appre­ci­ated. You’ll need to down­load Itunes for free and you can search for the pod­cast if you don’t know where it is. You can search the itunes store for pho­tog­ra­phy pod­cast — pho­tog­ra­phy blog and you’ll see my name (Marko Kulik). You’ll see the icon with the word photography.ca and under that, you’ll see cus­tomer reviews with a link to post a review. It takes a few min­utes to do this (and you’ll need reg­is­ter for an apple ID) so I thank you in advance for tak­ing the time. If you know itunes well, you can also do a power search from the quick links menu on the front page of the Itunes store and it will be faster.

If you are look­ing at this mate­r­ial on any other site except Photography.ca — Please hop on over to the Photography.ca blog and pod­cast and get this and other pho­tog­ra­phy info directly from the source. I Sub­scribe with iTunes I Sub­scribe via RSS feed I Sub­scribe with Google Reader I

Sleepy Dog

Below is the orig­i­nal image (with dis­trac­tions) — added as a result of the com­ments :)

The top image tries to fol­low the ‘rules’ from photo pod­cast #46 where we talked about dis­tract­ing ele­ments in pho­tographs. This is a shot of a dog sleep­ing in a local con­ve­nience store. I spent about 15 min­utes ‘clean­ing up’ this photo. By clean­ing up I’m specif­i­cally talk­ing about remov­ing dis­tract­ing ele­ments. In this case the dis­tract­ing ele­ments were bright­ness prob­lems. I wanted the focus of the shot to be on the dog’s face and snout so I burned in (dark­ened) almost every­thing that was brighter than the face and snout. By doing this I’m actively guid­ing the viewer’s eye to where I want it to go.
Did I do a good job? Com­ments? Questions?

Using backlighting outdoors — Photography Podcast #45

Pho­tog­ra­phy pod­cast #45 talks about how to use back­light­ing out­doors. We talk about tak­ing that clas­sic photo on the beach in front of a sun­set and doing it prop­erly. We also describe how to take a nice por­trait using back­light­ing and the whole pod­cast and is based some­what on an email from Cindy;

This sum­mer my fam­ily is going to the beach. Of course, I want to take lots of pic­tures. What is the best time of day? I love sun­set pic­tures, but how do I take pic­tures of the peo­ple with their backs to the ocean (sun in back­ground etc.) and see their faces clearly? ”

The images below (done really quickly with almost no post pro­cess­ing) clearly show the dif­fer­ences you can obtain using back­light­ing and flash at dif­fer­ent set­tings. Per­son­ally I like the Minus 2 shot the best. You best see the dif­fer­ences in flash out­put by look­ing at the face.

using backlighting and flash outdoors

Pho­tog­ra­phy links men­tioned in this pod­cast:
Acces­sories that you can use to hold reflec­tors etc. — pho­tog­ra­phy pod­cast 35
Pho­tog­ra­phy and the law

Thanks as always to Cindy, Jason and Alex Wil­son for recent com­ments and sug­ges­tions. We LOVE com­ments and sug­ges­tions so please send more.

You can down­load this pho­tog­ra­phy pod­cast directly by click­ing the pre­ced­ing link or lis­ten to it almost imme­di­ately with the embed­ded player below.

Photographers don’t give your rights away — Photography podcast #42

Pho­tog­ra­phy pod­cast #42 is based on a post by our‚pho­tog­ra­phy forum‚mem­ber tegan, called Photo Con­tests: Pho­tog­ra­phers LOSE. This short pod­cast expands on that post and dis­cusses how pho­tog­ra­phers need to be aware of the rights that they are giv­ing away by join­ing photo con­tests, forums, social net­work­ing sites like Face­book etc.

Pho­tog­ra­phy links men­tioned in this pod­cast:
Mil­lion places on Earth — terms and con­di­tions
Face­book — terms of service

Thanks as always to photodog, deb­bie T and sorena for‚recent com­ments and sug­ges­tions. We LOVE com­ments and sug­ges­tions so please send more.

You can down­load this pho­tog­ra­phy pod­cast directly by click­ing the pre­ced­ing link or lis­ten to it almost imme­di­ately with the embed­ded player below.

Photographers don’t give your rights away — Photography podcast #42

Pho­tog­ra­phy pod­cast #42 is based on a post by our pho­tog­ra­phy forum mem­ber tegan, called Photo Con­tests: Pho­tog­ra­phers LOSE. This short pod­cast expands on that post and dis­cusses how pho­tog­ra­phers need to be aware of the rights that they are giv­ing away by join­ing photo con­tests, forums, social net­work­ing sites like Face­book etc.

Pho­tog­ra­phy links men­tioned in this pod­cast:
Mil­lion places on Earth — terms and con­di­tions
Face­book — terms of service

Thanks as always to photodog, deb­bie T and sorena for recent com­ments and sug­ges­tions. We LOVE com­ments and sug­ges­tions so please send more.

You can down­load this pho­tog­ra­phy pod­cast directly by click­ing the pre­ced­ing link or lis­ten to it almost imme­di­ately with the embed­ded player below.

Clamps, stands, arms and adapters — Photography podcast #35

Pho­tog­ra­phy pod­cast #35 is all about using sim­ple acces­sories to make your photo shoots go smoother. In par­tic­u­lar, we dis­cuss clamps, magic arms, flash adapters and light stands. All of the acces­sories can be used in mul­ti­ple ways mak­ing them extremely ver­sa­tile in a vari­ety of shoot­ing situations.

Manfrotto superclamp 035
Man­frotto Super­clamp #035

Manfrotto spring clamp 175F
Man­frotto spring clamp #175 with threaded adapter (088)

Manfrotto spring clamp with flash mount
Man­frotto spring clamp‚#175F with flash mount

Manfrotto magic arm 237HD
Man­frotto flex­i­ble magic arm #237 HD

Opus umbrella mount OPL-SW0316
Opus umbrella mount OPL-SW0316

Opus umbrella mount on manfrotto master stand 004
Opus umbrella mount on man­frotto mas­ter stand #004

Superclamp 035 attached to magic arm attached to springclamp 175
Super­clamp with arm attached to spring clamp

master light stand 004 with arm and superclamp holding a reflector
Extendible arm on man­frotto mas­ter stand #004
attached to super­clamp hold­ing a 32.5 inch reflector

Pur­chas­ing these items through these links helps sup­port this site:

Man­frotto super clamp at B&H
Man­frotto super clamp at Amazon

Man­frotto spring clamp with flash shoe at B&H
Man­frotto spring clamp with flash shoe at Amazon

Manfrotto‚flexible arm‚at B&H
Man­frotto flex­i­ble arm at Amazon

Manfrotto‚master light stand‚at B&H
Man­frotto mas­ter light stand at Amazon

Photoflex (sim­i­lar to‚Opus) umbrella flash mount‚at B&H
Photoflex (sim­i­lar to Opus) umbrella flash mount at Amazon

You can down­load this pho­tog­ra­phy pod­cast directly by click­ing the pre­ced­ing link or lis­ten to it almost imme­di­ately with the embed­ded player below this set of images.

Photo of the week
This week, the pho­to­graph is by Arkady Renko and I com­ment in the pod­cast on why I think this pho­to­graph is fantastic.

Arkady Renko - Stranger

Thanks as always for the com­ments by‚Samirah,‚ Carl­son Chu and Yves Janse. We LOVE com­ments and sug­ges­tions so please send more. Spe­cial thanks to Nico Pin who has helped make this blog more user friendly and look funkier.

Grab the light now — light waits for no one

Another res­o­lu­tion I am mak­ing this year (start­ing today) is not to tarry when I see great light. Great light doesn’t wait for you, great light doesn’t give a crap about your sched­ule — You wait for great light and when you see it you must grab it by its invis­i­ble balls.

Yes­ter­day was an amaz­ing exam­ple. I woke up and thick fog was every­where — Everywhere!

I LOVE FOG.

For me, fog is great light. It evokes a rare spe­cial mood and feel­ing.
.…but I’m a busy dude and work beck­ons me con­stantly so I checked the win­dow peri­od­i­cally while I waited until I was ready to shoot. Guess what — once I was ready the fog had almost dis­si­pated. Boy was I upset : (

So as a last resort I got into my car and chased the fog until I found the best patch I could find. It was okay fog and I think this self-portrait is not bad.

Point is — Now I have think about what could have been instead of know­ing that I was shoot­ing at the best pos­si­ble time.….

self portrait fog