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Photography forum image of the month December 2011

Every month on our photography forum members nominate images that they like. Then at the end of the month I choose an excellent image and talk about why it rocks. The photo I choose is not necessarily the best one of the month. I’ve come to realize it’s not really logical to pit images from totally different genres against each other. That’s why there are categories in photo contests. I just choose a photo that has extremely strong elements that we can learn from.

The Peace Bridge - At Last!  by JAS_Photo

The Peace Bridge - At Last! by JAS_Photo

This month’s choice is (click to see the larger version of this image)  The Peace Bridge – At Last! by JAS_Photo

I chose this image for several reasons:

1 – Composition – This is a very strong composition and the bridge itself acts as a fantastic leading line. It guides our eye beautifully into the image. In addition, aside from the shape of the bridge itself, there are also other “mini-shapes” in the bridge itself as well as all around the image. These other mini-shapes add a lot of interest to the image.

2 – Tones and post processing – The bridge itself is selectively coloured in this image and I like that very much in this case. I feel it works and offers a new take on what is likely a heavily photographed piece of infra-structure. For me it suggests ‘something new’ being introduced into a city. The desaturation of the background compliments the bridge and really makes the bridge pop.

3 – Story and perspective – This bridge is still a work in progress and we can see a crane in the background that suggests this. We see the bridge “moving” toward the background which suggests to me something new being introduced to something older. The angle or perspective from which the image was taken was very well chosen to suggest this story.

For all these reasons, this is my choice for image of the month. Since we all have opinions, some members may disagree with my choice. That’s cool but THIS thread is not the place for debate over my pick, NOR is it the place to further critique the image. The purpose here is to suggest strong elements in the photo that we may learn from.

Congrats again JAS_Photo for creating this wonderful image!

 

Photography forum image of the month November 2011

Every month on our photography forum members nominate images that they like. Then at the end of the month I choose an excellent image and talk about why it rocks. The photo I choose is not necessarily the best one of the month. I’ve come to realize it’s not really logical to pit images from totally different genres against each other. That’s why there are categories in photo contests. I just choose a photo that has extremely strong elements that we can learn from.

Fight Club! by Lizardqing

Fight Club! by Lizardqing

 

This month’s choice is (click to see the larger version of this image) Fight Club! by Lizardqing

I chose this image for several reasons:

1 – Timing/Decisive moment. You gotta have a quick trigger finger to catch a moment like this or you will miss it. We’ve all missed fab opportunities like this, or misframed opportunities like this; good on Lizardquing for this fab capture.

2 – Composition – I really like the composition here. It is especially impressive given the speed needed to catch this image. I really like the faun at the right side as well as the position of the trees.

3 – Exposure/lighting/colour – Exposure looks very good here and could easily have been missed given the lighting. Good choice of shutter-speed to keep things fairly sharp but still reveal motion in the deers’ front legs. Lovely colour palette as well. The lighting is wonderful in this image, good on Lizardqing for being there early enough to capture.

For all these reasons, this is my choice for image of the month. Since we all have opinions, some members may disagree with my choice. That’s cool but THIS thread is not the place for debate over my pick, NOR is it the place to further critique the image. The purpose here is to suggest strong elements in the photo that we may learn from.

Congrats again Lizardqing for capturing this wonderful moment!

102 – Layering images with interesting elements

Photography podcast #102 discusses layering your photographs with interesting elements. This involves serious attention to the overall composition of every frame that you take.
If you are taking a shot of a mountain for example, there’s always more to the shot than just the mountain. When you are aware of what’s around the mountain and take the time to “layer” the image with interesting elements, the composition as a whole gets much stronger. We also touch on how to refine those “layered elements” in post processing.

 

Athabaska River Reflecting Pools at Sunrise - Banff National Park - Alberta., Canada

Athabaska River Reflecting Pools at Sunrise by Marko Kulik - Banff National Park - Alberta, Canada. As you can see this shot is about more than just the mountain which is in the background. The foreground, midground and background "layered" elements all contribute to the overall composition in this scene.

 

Sometimes you feel like a nut - Image by Lisa Couldwell

Sometimes you feel like a nut - Image by Lisa Couldwell. Even scenes using larger apertures benefit from "layered elements". Here, Lisa focuses on the nut medallion but the tire in the background is a repeating shape that adds interest to the image. The diagonal lines in the image help to guide your eye. The composition here is very deliberate.

 

Links /resources mentioned in this podcast:
Improving boring landscapes
- Images that compliment SONG titles or Book titles is our regular forum assignment for November
- Intentional camera movement  is our level 2 assignment for November

If you liked this podcast and want to review it on Itunes, this link gets you to the main page

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If you are still lurking on our forum,
feel free to join our friendly :)  Photography forum

Thanks to Scorpio_e, Melissa Dorner, Josh G, Mathias,  Avital Pinnick, Henry. b, and Jill bayer who posted  blog comments about our last podcast. Thanks as always to everyone that sent comments by email about our last podcast. Although ALL comments are appreciated, commenting directly in this blog is preferred. Thanks as well to all the new members of the bulletin board. Most of the links to actual the products are affiliate links that help support this site. Thanks in advance if you purchase through those links.

If you are looking at this material on any other site except Photography.ca – Please hop on over to the Photography.ca blog and podcast and get this and other photography info directly from the source. |Subscribe with iTunes|Subscribe via RSS feed |Subscribe with Google Reader|Subscribe for free to the Photography podcast – Photography.ca and get all the posts/podcasts by Email
You can download this photography podcast directly by clicking the preceding link or listen to it almost immediately with the embedded player below.

Thanks for listening and keep on shooting!

Photography forum image of the month October 2011

Every month on our photography forum members nominate images that they like. Then at the end of the month I choose an excellent image and talk about why it rocks. The photo I choose is not necessarily the best one of the month. I’ve come to realize it’s not really logical to pit images from totally different genres against each other. That’s why there are categories in photo contests. I just choose a photo that has extremely strong elements that we can learn from.

Autumn Web by Richard

Autumn Web by Richard

This month’s choice is (click to see the larger version of this image)  Autumn Web by Richard

I chose this image for several reasons:

1 – Planning and execution – This striking image is the result of planning, it didn’t “just happen” and it wasn’t a quick snap. The lighting, comp and post-processing are all well thought out here. The result is a striking moody fall image.

2 – Composition – details – postprocessing – Lovely rendered details like the spider as well as the spider’s web all contribute to the composition here. Spider is framed nicely between the red leaves and against the backlight. The postprocessing including the vignette and possible selective sharpening are guiding our eyes thoughtfully without distractions.

3 – Lighting – Mood – Backlighting is a challenging light to deal with, but Richard balances it well with off camera flash. The end result is an image with a lovely mood that would likely have felt too dark without the added light.

4 – Selective focus – A wide aperture is well used here to get the dreamy background bokeh. It adds another ‘layer’ to the image.

For all these reasons, this is my choice for image of the month. Since we all have opinions, some members may disagree with my choice. That’s cool but THIS thread is not the place for debate over my pick, NOR is it the place to further critique the image. The purpose here is to suggest strong elements in the photo that we may learn from.

Congrats again Richard for creating this striking image!

101 – Moving your camera during the exposure – Interview with Michael Orton

Photography podcast #101 features an interview with one of my favorite photographers, fine art photographer Michael Orton. In this podcast we talk about deliberately moving your camera during the exposure. Normally, this is FORBIDDEN and you do everything in your power to keep the camera as still as possible while shooting. But Michael has a very unique way of seeing and has again broken the rules. He has created a unique and fabulous new portfolio of one-of-a-kind abstract landscape images, by way of compound camera movements that I now refer to as Orton Compound Camera Movements or OCCM. This podcast discusses deliberate camera movements for creative effect.

Michael Orton is a fine art photography pioneer. First he created Orton Imagery, AKA the Orton effect some 30ish years ago.  This technique has been used by tens of thousands of photographers and has become so popular that Adobe Elements 10 now features an action called the Orton Effect. I’d bet hard that Michael’s technique involving compound camera movements also develops a cult-like following in the years to come. Thanks so much Michael!

 

Awakening by Michael Orton
Awakening by Michael Orton – The abstract painterly feel to this image was created IN CAMERA by using OCCM (Orton’s compound camera movements).

 

Michael Orton at ‘Work’ – Image by Marko Kulik

 

Links /resources mentioned in this podcast:
Michael Orton Photography
Michael Orton’s feature on Photography.ca
67 – Orton Imagery – The Orton Effect – Interview with Michael Orton and Darwin Wiggett – Podcast #67
Photographing Creative Landscapes by Michael Orton: Simple Tools for Artistic Images and Enhanced Creativity


If you liked this podcast and want to review it on Itunes, this link gets you to the main page

If you are interested in writing for our blog please contact me photography.ca (   A   T  ) G m ail  Dot co m (using standard email formatting)

Please join the Photography.ca fan page on Facebook

My Facebook profile – Feel free to “friend” me – please just mention Photography.ca
My Twitter page – I will follow you if you follow me – Let’s connect – PLEASE email me and tell me who you are in case I don’t reciprocate because I think you are a spammer.

If you are still lurking on our forum,
feel free to join our friendly :)  Photography forum

Thanks to Patrick, Bambi and Glenn Euloth who posted  blog comments about our last podcast. Thanks as always to everyone that sent comments by email about our last podcast. Although ALL comments are appreciated, commenting directly in this blog is preferred. Thanks as well to all the new members of the bulletin board. Most of the links to actual the products are affiliate links that help support this site. Thanks in advance if you purchase through those links.

If you are looking at this material on any other site except Photography.ca – Please hop on over to the Photography.ca blog and podcast and get this and other photography info directly from the source. |Subscribe with iTunes|Subscribe via RSS feed |Subscribe with Google Reader|Subscribe for free to the Photography podcast – Photography.ca and get all the posts/podcasts by Email
You can download this photography podcast directly by clicking the preceding link or listen to it almost immediately with the embedded player below.

Thanks for listening and keep on shooting!

100 – Shoot in any light

Photography podcast #100 celebrates our 100th photography podcast and focuses on the tag line of the podcast which is ‘keep on shooting’ in any light.

I’d like to take this moment to thank all our listeners! Your support and encouragement during these past 100 episodes has been awesome. Thanks for all the feedback, all the comments and all the contributions. Special thanks as well to all the guests that have shared their knowledge so freely. More interviews are planned for the future.

In this podcast I offer up tips on how to shoot in any light so long as it suits the subject.

 

I shot this image at about 2pm. The light that most of the ducks were resting in was bright and harsh. Had I shot this duck in that direct light, the shadows would have been too harsh. This particular duck though was resting under a shelter that softened the light and the soft light suited this subject far better and holds details in the blacks and the whites. Straight shot – No flash was used here.

 

Links /resources mentioned in this podcast:
How to photograph with hard light – Podcast #97
Rain photography – Podcast #88 
Studio lighting for beginners – Podcast #33 
September’s regular assignment on the Photography.ca forum – Yellow
September’s level 2 assignment on the Photography.ca forum – Macros of any kind


If you liked this podcast and want to review it on Itunes, this link gets you to the main page

If you are interested in writing for our blog please contact me photography.ca (   A   T  ) G m ail  Dot co m (using standard email formatting)

Please join the Photography.ca fan page on Facebook

My Facebook profile – Feel free to “friend” me – please just mention Photography.ca
My Twitter page – I will follow you if you follow me – Let’s connect – PLEASE email me and tell me who you are in case I don’t reciprocate because I think you are a spammer.

If you are still lurking on our forum,
feel free to join our friendly :)  Photography forum

Thanks to Rob vERich, Anuj, Photo art cafe and Best who posted  blog comments about our last podcast. Thanks as always to everyone that sent comments by email about our last podcast. Although ALL comments are appreciated, commenting directly in this blog is preferred. Thanks as well to all the new members of the bulletin board. Most of the links to actual the products are affiliate links that help support this site. Thanks in advance if you purchase through those links.

If you are looking at this material on any other site except Photography.ca – Please hop on over to the Photography.ca blog and podcast and get this and other photography info directly from the source. |Subscribe with iTunes|Subscribe via RSS feed |Subscribe with Google Reader|Subscribe for free to the Photography podcast – Photography.ca and get all the posts/podcasts by Email
You can download this photography podcast directly by clicking the preceding link or listen to it almost immediately with the embedded player below.

Thanks for listening and keep on shooting!

Mois De La Photo in Montreal 2011 – First Impressions

This Saturday I spent about 3-4 hours going to different exhibitions that make up Mois De La Photo (Photo Month) in Montreal. I’m not fond of writing about things I don’t like, I MUCH prefer to select a few things that I do like and write about those.

I was disappointed in the work that I saw overall. I saw about 8-10 exhibitions and I won’t name them. It wasn’t because the work was bad or anything, it just was not my cup of tea. Almost everything I saw was dark-themed, abstract, overly-intellectualized, and WAY too experimental imo. I have nothing against experimental, but imagine if 99% of everything you heard at the Montreal Jazz fest was experimental….it would suck for most people. People expect festivals that they go to, to somewhat represent their idea of what the festival is about. Of the 8 Exhibitions, 3 of them had videos…Video is not photography. I DO have an open mind BTW; I guess I just would have liked even a teeny representation of the work that I saw to be similar to the fine art photography that I like to see.

So at the end of the day, I guess my issue is with the Title, “Mois de la photo”. Such a conventional title, it makes you think you will be seeing ‘some’ conventional photography. You will not (as far as I can tell from my sample). I’d much rather they title the thing Experimental photo Month.

Of the 8 exhibitions I saw, the only one I liked a bit was The Dead by Jack Burman. Large prints of dead people preserved in formaldehyde. Not trying to be facetious here, but Burman’s exhibition was one of the most concrete, and “accessible” ones. You know full well what you are looking at.

Image from ‘The Dead’ by Jack Burman

Photography forum image of the month August 2011

Every month on our photography forum members nominate images that they like. Then at the end of the month I choose an excellent image and talk about why it rocks. The photo I choose is not necessarily the best one of the month. I’ve come to realize it’s not really logical to pit images from totally different genres against each other. That’s why there are categories in photo contests. I just choose a photo that has extremely strong elements that we can learn from.

My Little Friend by Wicked Dark

This Month’s choice is  (click to see the large version of this image) My Little Friend by Wicked Dark.

I chose this image for several reasons:

Sharpness – It’s difficult to get this level of sharpness when doing macro work and the sharpness on the crawler here is wonderful and very striking! On the opposite end the background out of focus elements also work well to isolate the primary subject.

Composition – All eyes are on the bug here and this is due to good composition with almost no distractions. The curved part of the crawler is well seen due to the comp and the diagonal branch at right act as a frame and helps keep our eyes on the most important element.

Colour/Lighting – The image busts with colour due to shooting in softer light along with some (likely) processing to enhance the greens.

For all these reasons, this is my choice for image of the month. Since we all have opinions, some members may disagree with my choice. That’s cool but THIS thread is not the place for debate over my pick, NOR is it the place to further critique the image. The purpose here is to suggest strong elements in the photo that we may learn from.

Congrats again Wicked Dark for capturing this striking crawler.

Photography forum image of the month July 2011

Every month on our photography forum members nominate images that they like. Then at the end of the month I choose an excellent image and talk about why it rocks. The photo I choose is not necessarily the best one of the month. I’ve come to realize it’s not really logical to pit images from totally different genres against each other. That’s why there are categories in photo contests. I just choose a photo that has extremely strong elements that we can learn from.

Today's Calla Lillies by Ernst Ulrich-Schafer

This month’s choice is Today’s Calla Lillies by Ernst Ulrich-Schafer.

I chose this image for several reasons:

Composition – Composition here is very pleasing to the eye! Diagonal stems from bottom left guide the eye to the focal point of the image which are the flowers’ interiors. The shapes of the flowers themselves are wonderful and wonderfully placed in the image. The flowers even create quite an interesting negative space due the contrast against a black background.

Lighting and Post-processing – Lovely lighting here shows off the flowers very well. The lighting is softish but doesn’t look oversoft. Shadows are well controlled here with the deepest blacks being the background itself. This helps the flowers “pop” big-time against that background. Post-processing is also well done here with lovely details in the whites. If I have one nit, I’d nix the black frame as this changes the overall perspective of the flowers making them look smaller. That said, I know Ernst put it there 100% on purpose and it works for him.

Tonal quality – I really like the monochrome (light sepia to my eye) quality of this image. Monochrome really helps show off the strong shapes of these flowers, as well as give them a nostalgic feel.

For all these reasons, this is my choice for image of the month. Since we all have opinions, some members may disagree with my choice. That’s cool but THIS thread is not the place for debate over my pick, NOR is it the place to further critique the image. The purpose here is to suggest strong elements in the photo that we may learn from.

Congrats again Ernst Ulrich-Schafer for creating this wonderful image!

Watch Your Backgrounds by Kristen Smith

Watching what is going on in the background is useful advice, not only for cops in urban shoot-outs, but also for close up and macro photographers.  Because bokeh and depth of field are such prominent aspects of these types of shots, you really have to watch the background to make sure it complements your subject and doesn’t compete with it.  Sometimes I get so focused on the subject itself that the background just fades away.  And because often times a subject is far away from the background, things just don’t get noticed.

With this shot, I was so intensely involved with the flowers that I didn’t really “see” my backpack which was about 4 feet away and clearly in view.  I really needed to stop and look at the whole scene, but I didn’t.  Sometimes it can take a few minutes to settle into the groove and start practicing good habits and by the time I got diligent, it was too late for this one.

Photograph by Kristen Smith

In addition to watching the far background, keep an eye out for stray items close to the subject that might distract the eye.  So many times I get my pictures home only to find some annoying leaf, pine needle or branch.  Ugh.  I find that using Live View not only makes taking the photo easier, but gives you a 2D image to look at right away. Many times I catch bad compositional elements this way.  Check out this series of shots that illustrate how I cleaned up my shot –

Photograph by Kristen Smith

Hmm that background doesn’t do the flower any favors, does it?  I need to make the flower really pop out of the bokeh, not just sit there in it.  That stump has got to go. Luckily at this magnification and perspective, very small movements make for very big changes.

Photograph by Kristen Smith

I barely moved my camera, but the difference in background works so much better.  But this time I notice two things – one, there’s a lot of light playing the backdrop and I have to time the shot right so that it is more uniform back there and there aren’t any hot spots to detract from the flowers, two, there are a few stray pine needles and that leaf in the bottom right isn’t contributing anything good.  I pluck those out of the way and lo and behold there’s moss under that leaf and when I judge the light to be the best – Presto!

Photograph by Kristen Smith

So as you can see, the process can take a few steps to get a useable image.  The key is to develop good habits.

  1. Stop and look at the whole scene, background and foreground and evaluate each aspect including the light if it’s variable
  2. Remove distracting things like sticks and leaves
  3. Change camera position for more harmonious backgrounds and foregrounds
  4. Use Live View to see how the 3D translates to 2D

Hopefully this helps you in the field the next time you’re doing close-up and macro work.  Got any to share?  Feel free to log in to the Photography.ca forum and start a thread.

For more of Kristen’s outdoor photography and other articles visit wickeddarkphotography.com

Photography forum image of the month June 2011

Every month on our photography forum members nominate images that they like. Then at the end of the month I choose an excellent image and talk about why it rocks. The photo I choose is not necessarily the best one of the month. I’ve come to realize it’s not really logical to pit images from totally different genres against each other. That’s why there are categories in photo contests. I just choose a photo that has extremely strong elements that we can learn from.

Flower Picking at Astbury Mere by Richard

This month’s choice is Flower Picking at Astbury Mere by Richard

I chose this image for several reasons:

Gesture/Mood – The overall ‘gesture’ is beautifully captured in this image. Richard captured his daughter in mid-step while walking through nature playing with a leaf and a flower. It feels as though she may have been daydreaming; in fact the whole image has a daydreamy quality due in good part to the ‘gesture’ and wonderful backlighting.

Post-Processing – The (PP) post-processing here works very well to support the image. I really like the vignetting all around the girl as it emphasizes the girl’s walk through a field of flowers and sunshine.

Selective focus – Shallow depth of field is classically used to have the girl stand out against the dreamy background.

Lighting/exposure – Backlighting was well chosen here as the light is quite harsh but the image doesn’t have a very harsh feel. The girl’s face looks well exposed and appears comfortable and natural because the sun is not blasting it directly. The specular highlights on the hair, hand and around the clothing are wonderful warm accents and do not distract.

For all these reasons, this is my choice for image of the month. Since we all have opinions, some members may disagree with my choice. That’s cool but THIS thread is not the place for debate over my pick, NOR is it the place to further critique the image. The purpose here is to suggest strong elements in the photo that we may learn from.

Congrats again Richard for seeing and capturing this wonderful photo!

Backgrounds Matter Dammit

One of the things that separates newbie photographers from experienced photographers is the ability to see beyond the foreground or main subject. Most photographers that are starting out forget that 2 dimensional photos had multiple planes (foreground, midground and background) before the shutter release button was clicked. This is especially true of street photography.

Image by thoughton

Thoughton, a member of our fine art photography forum recently uploaded a gorgeous set of travel photos where the backgrounds share equal or greater importance to the foreground or the main focal point. In some of the images the background IS the focal point.

Part of the skill here is of course anticipation, desire and patience. Sometimes we can spot a great street background but we need to hunt down (sounds better and less boring than ‘wait for’) a foreground subject to complete the scene.

Image by thoughton

Click to see the photo thread that contains thoughton’s whole set in a larger size.

Happy hunting :)