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Working on Group Shots

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  1. #1
    thoughton's Avatar
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    I basically agree with Aussie, the first things I noticed were the off-balance composition (caused by the handsome chap in blue in the bottom left ), and the rather strong barrel distortion on the lines on the floor and wall.

    I also noticed the shadows behind the guys at each end. I think that going for the full 90° angle with the flash would help eliminate that. That way you'd eliminate any direct flash at all (hopefully eradicating those shadows), and rely on the ceiling to diffuse it nicely.
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    Thanks, guys. Great points which and I will try again next time. In this particular case, it was kind of "Hey, Glenn, do you have your camera? We need a photo." And while the light wasn't horrible from a brightness perspective I wanted to play with my new flash to get used to it. I'll try it again next time and see what I can come up with.

    One thing is that I need a better remote shutter release. The wireless (infrared) Canon one that I got last Christmas only works on one side of the camera and only gives me 2 seconds before the shot which is why I barely got a chance to slide into that position.

    Anyway, thanks for the pointers... I'll keep trying.
    “If you are out there shooting, things will happen for you. If you’re not out there, you’ll only hear about it.” – Jay Maisel
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