Saw some of the selective colouring shots recently and thought I would take what I thought was not a very interesting shot and see if the selective colouring would make it more interesting. I think it did. Your thoughts???
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This is a discussion on More Selective Colouring within the Critiques forums, part of the Photography & Fine art photography category; Saw some of the selective colouring shots recently and thought I would take what I thought was not a very ...
Saw some of the selective colouring shots recently and thought I would take what I thought was not a very interesting shot and see if the selective colouring would make it more interesting. I think it did. Your thoughts???
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The truck looks decent (a bit too saturated or lively for my personal taste, but still decent)
The rest of the image though is quite muddy and could use a medium sized contrast boost imo. Hope that helps - Marko
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"You have to milk the cow quite a lot, and get plenty of milk to get a little cheese." Henri Cartier-Bresson from The Decisive Moment.
Muddy means greyish (at least to me). When people say a print is muddy it refers to a low contrast image (as opposed to an image with a full range of tones). So for me, a medium contrast boost, means it needs considerably more contrast as opposed to a ton or a wee bit.
If you are familiar with b/w darkroom printing we used filters to adjust contrast. In this case, if you used a #2 filter I'd suggest a 3 1/2.
In this case for this print, everything besides the truck needs more contrast imo.
Hope that makes sense - Thx Marko
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"You have to milk the cow quite a lot, and get plenty of milk to get a little cheese." Henri Cartier-Bresson from The Decisive Moment.
I boosted the contrast and the brightness to, hopefully, make it less muddy. I think I begin to see the difference. I mean I can definitely see the difference between the two photos, but I'm not sure I can recognize what the issue is to start yet. Is this closer?
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It makes thing jump a bit more imo. When you can see all the shades between black and white without them all being in the same range it brings out the photo.
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Hmmm... to be honest, this one really doesn't do much for me. The technique is well executed, but the image just doesn't have the grab to pull it off.
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