I agree with other comments here but for me the biggest improvement the way it is now would be if you burnt in the sky, railway trestle and browny hill in the background (without touching the mist).
This is a discussion on Bridge on the Oldman River within the Critiques forums, part of the Photography & Fine art photography category; I agree with other comments here but for me the biggest improvement the way it is now would be if ...
I agree with other comments here but for me the biggest improvement the way it is now would be if you burnt in the sky, railway trestle and browny hill in the background (without touching the mist).
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"You have to milk the cow quite a lot, and get plenty of milk to get a little cheese." Henri Cartier-Bresson from The Decisive Moment.
I thought I'd throw my 2 cents in too. I agree with tirediron about getting more of the river. I wanted to mention the ND filter that's on my wish list, the singh-ray vari-nd. If you haven't seen this one, it's variable like a circular polarizer but from 3 to 9 stops of ND. More expensive, but you're really getting several filters for the price of one.
Bill
"Photographic art requires the technical aspects of photography and the design aspects of art, both at an outstanding level."
Different approaches.... If the sky was so blown out that there was nothing to work with I'd agree (that's not the case here though, in fact you can see the faint edge of the sky at the top of the image)....but I did a 20 second test on my own computer and it seems that there is enough 'meat' in the highlights to burn them in.
If this is a raw file, you'll likely be able to pull a lot of info back into the sky before you even open it.
Ultimately the approach you take is personal, and all approaches are valid so long as they get the job done. For me, I always try to save/enhance an image through conventional techniques like dodging and burning before resorting to other techniques...
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"You have to milk the cow quite a lot, and get plenty of milk to get a little cheese." Henri Cartier-Bresson from The Decisive Moment.
Thank you for all the feedback. I have been playing with burning in the sky, bridge, and river banks. This is the first time I have played with that tool and it has an interesting effect. What is the difference between burning in and selectively adjusting the exposure in that area? I have posted the result for this manipulation, and I think that it does improve the image. I am working on a version without the bridge. For what it is worth, I am using PS Elements 6, not the full version of Photoshop.
I have reworked the same photo again, this time selectively adjusting the Levels for different portions of the picture. I am having trouble getting consistent results with the Burning and Dodging tools. These will take me quite a bit more practice. I also tried to remove the bridge, but the artifacts I was getting with the cloning tool were ruining the texture of the river bank and the sky. I think in the future I may have to try and retake this photo with a composition that better removes the bridge from sight.
Very nice redo svantland! I like this version much better!
You may also want to straighten the bridge a touch, but I like what you've done here.![]()
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"You have to milk the cow quite a lot, and get plenty of milk to get a little cheese." Henri Cartier-Bresson from The Decisive Moment.
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