A question of etiquette

[Pharaoh]

When I'm out shooting in the street I'll often try to get one or two candid images with strangers in them. I'm not the chatty type so I rarely approach and ask permission which is the polite thing to do, however, since I'm not selling the shot and since I try not to be noticed, no one is the wiser and what they don't know won't hurt them. That's my plan and I'm sticking to it!

Good points. While I'm not above asking, the shots I'm speaking of don't generally involve planning other than I'm there at the time.

An example that comes to mind - I was out to try to take photos of a local airshow. While waiting for the jets to arrive on scene, I b.s.ed and took various pictures from all directions. A couple speaking a different language came with in 15 meters of where I was positioned... set up one of those shishkabob (sp?) skewer type tiny tri-pods and took a picture together with the Golden Gate Bridge in the(ir) background. O.K. I snapped a shot in the opposing cross direction with Alcatraz in the background.

My expectation is the shot will be garbage, if I'm lucky I'll learn something about the light, shadows etc. which was my original intention anyway. But every now and then what I'll come away with is a picture that I feel offers a natural (usually joyous) appearance. Where it's a mystery what's going on out of view of the camera that caused the subject's natural expression.

But fact is, the subject (in this case) was actually posing, just for a different composition and camera. By not directing the staged energy towards me/my camera, the result (at least I think) appears more candid and natural.

But I get what you're saying. For me a lot of it depends on other factors (besides my willingness to chat etc.) as to whether or not I'll approach and ask permission. Often it's more so based on my observation or perception of the events unfolding. I.E. my calculation of whether or not the 5 seconds spent asking were the only 5 seconds I'm gonna get out of the subject at hand anyway.

Thanks for the compliment on my box shot...lol

For me, I think street shots with people as a whole within a scene is fair game.

If it is specific portrait of a specific person as in say "100 strangers" or any street people portraits that I take, I ask permission prior to taking a shot. If they say no then they say no, but usually they are quite obliging especially after I've spent some time talking with them, listening and getting to know them...they usually are quite interesting people who are just dealing with their own set of demons the best/only way they know how. And I have developed a repoire with many I've run into after taking their photo or meeting them for the first time. I think that's important to me and besides....I'm a bit more chatty than many people.
If it came to me making money off a shot then that is a bit of different kettle of fish but that is not why I take these kinds of shots anyhow.
That's my take on it anyhow.

You are welcome. Although we are all familiar with the saying: It's nice to make money doing something you love... I'm (a novice) and definitely not talking about money making photos.

Stationary / more static, I'm generally going to ask the subject, and especially someone down on their luck. But that's usually more what I'd call planned anyway. The scenario usually isn't the result of coincidence.

Something I guess I've never forgotten.... (20+ years ago) @ an airport terminal (same flight) was James Earl Jones sitting there reading the Sunday paper. Long story short, my grandmother wanted his picture. My cousin suggested asking first... politely approached, and (JEJ) replied in a very polite tone, I'd really rather not. My cousin told my grandmother: See he doesn't feel like being photographed or mobbed.... Soon as the paper folded my grandmother starting firing off shots like there was no tomorrow.