Dodging and burning in photography — Photography podcast #49

Pho­tog­ra­phy pod­cast #49 dis­cusses dodg­ing and burn­ing your pho­tographs. Dodg­ing means mak­ing parts of a photo lighter and burn­ing in makes parts of your pho­to­graph darker. Almost ALL pho­tographs require some dodg­ing and burn­ing. The images below by Yise­haq are great exam­ples. Look how much more alive image 2 looks after some dodg­ing and burning.

In terms of the actual tech­niques used to dodge and burn a photo you can try this one if you have Pho­to­shop. Cre­ate a new layer and set your blend­ing mode to soft-light or over­lay. Use an opac­ity of around 4–15%. Use a SOFT paint brush with these set­tings. To burn (darken) use black as the fore­ground colour in the palette. To dodge (lighten) use white as the fore­ground colour.

This pod­cast was inspired by Yise­haq a mem­ber of our pho­tog­ra­phy forum. Feel free to join — it’s fun and free! This pod­cast was recorded in a park. Please let me know if you found the ambi­ent noises too distracting.

Many thanks to Yise­haq for let­ting me use the above images of the Blue Nile as a teach­ing tool!

Post edited August 18 2008 — Adding 2 of my own images to fur­ther illus­trate the dif­fer­ence between the image after it comes out of the cam­era ver­sus the dodged and burned result. The result looks much live­lier and the main rea­son is the local dodg­ing and burn­ing. These are of the grand canyon and they are the same images from the pod­cast on delib­er­ately under­ex­pos­ing your images.

deliberate underexposure podcast
Image 1 of the Grand Canyon (leveling/quick colour balance)


Image 2 — after includ­ing quite a bit of dodg­ing and burn­ing and a quick sharpen.
After a while you’ll learn to see the poten­tial tones just wait­ing to come out.

Links/topics men­tioned in this pod­cast:
Orig­i­nal thread with Yisehaq’s images and com­ments
Photo assign­ment forum on Photography.ca

Thanks as always to Benoitc23, Benny and DeSte­fanoPho­tog­ra­phy for recent com­ments and sug­ges­tions. We LOVE com­ments and sug­ges­tions so please send more.

You can down­load this pho­tog­ra­phy pod­cast directly by click­ing the pre­ced­ing link or lis­ten to it almost imme­di­ately with the embed­ded player below.

If you are look­ing at this mate­r­ial on any other site except Photography.ca — Please hop on over to the Photography.ca blog and pod­cast and get this and other pho­tog­ra­phy info directly from the source. I Sub­scribe with iTunes I Sub­scribe via RSS feed I Sub­scribe with Google Reader I

Portrait from the Plateau — Sunday in the Park

One of the many amaz­ing aspects of Mon­treal is the reg­u­lar gath­er­ing of dif­fer­ent peo­ple to enjoy what­ever is going on. Sun­day in the Park (at Mount Royal) has been a tra­di­tion for over 10 years. Hun­dreds (some­times thou­sands) of peo­ple get together and play drums, dance, jug­gle, imbibe, play fris­bee etc. The girl in this pho­to­graph (I HAVE to start ask­ing names) looked so peace­ful prac­tic­ing her art that I HAD to take this photo — I asked first though.
Exif data — F-4.0 1/250 ISO 100

Portrait from the Plateau

I recently moved into one of the best parts of Mon­treal called Plateau Mont –Royal AKA The Plateau or Le Plateau. There are so many inter­est­ing peo­ple in this bustling and artsy part of town that I think I may start a new series of casual ‘street’ por­traits just for fun.

Yes­ter­day as I walked through my new favourite loca­tion (Parc Lafontaine), I spot­ted 2 lovers in a ham­mock and asked if I could take their por­trait. They agreed and I think I cap­tured the feel­ings they have for one another. This was shot at about 6pm with no flash or reflec­tor, only ambi­ent light.

Baby — newborn photography — Photography podcast #48

Pho­tog­ra­phy pod­cast #48 dis­cusses baby and new­born pho­tog­ra­phy. We talk about what light­ing to use. We also talk about good posi­tions for babies as well as give tips on ideas on how to make your baby pho­tog­ra­phy more inter­est­ing. This pod­cast was inspired by demontecarlo3 a mem­ber of our pho­tog­ra­phy forum. Feel free to join — it’s fun and free! Final note — this pod­cast was recorded on a rainy day in the park. Please let me know if you found the ambi­ent noises too distracting.

Many thanks to Dominic Fuiz­zotto for let­ting me use these images.

Links/topics men­tioned in this pod­cast:
Dis­trac­tions in photographs

Thanks as always to Benny, Ed and Sergey for recent com­ments and sug­ges­tions. We LOVE com­ments and sug­ges­tions so please send more.

You can down­load this pho­tog­ra­phy pod­cast directly by click­ing the pre­ced­ing link or lis­ten to it almost imme­di­ately with the embed­ded player below.

Flash sync speeds — Photography podcast #47

Pho­tog­ra­phy pod­cast #47 talks about flash sync speeds. We talk about what the flash sync speed is (it’s also called x-sync) and how very impor­tant it is espe­cially when you are tak­ing day­light por­traits out­doors. We also talk about high-speed flash sync as well as answer Sergey’s ques­tion about why the high speed flash sync is not work­ing with the trans­mit­ters that he is using.

Links/topics men­tioned in this pod­cast:
My sleepy dog pho­to­graph
Sunny 16 rule
ST-E2 trans­mit­ter
Canon 580 flash series with the OC-E3 off-camera shoe cord

Thanks as always to Benny, Mer­man, Tmat, Yowzah, Tim and Sergey for recent com­ments and sug­ges­tions. We LOVE com­ments and sug­ges­tions so please send more.

You can down­load this pho­tog­ra­phy pod­cast directly by click­ing the pre­ced­ing link or lis­ten to it almost imme­di­ately with the embed­ded player below.

Sleepy Dog

Below is the orig­i­nal image (with dis­trac­tions) — added as a result of the com­ments :)

The top image tries to fol­low the ‘rules’ from photo pod­cast #46 where we talked about dis­tract­ing ele­ments in pho­tographs. This is a shot of a dog sleep­ing in a local con­ve­nience store. I spent about 15 min­utes ‘clean­ing up’ this photo. By clean­ing up I’m specif­i­cally talk­ing about remov­ing dis­tract­ing ele­ments. In this case the dis­tract­ing ele­ments were bright­ness prob­lems. I wanted the focus of the shot to be on the dog’s face and snout so I burned in (dark­ened) almost every­thing that was brighter than the face and snout. By doing this I’m actively guid­ing the viewer’s eye to where I want it to go.
Did I do a good job? Com­ments? Questions?